Sound of Sinatra pays homage to the legendary crooner with an evening of big-band-backed songs performed by internationally recognized Sinatra tributeer Mark Randisi. With a honeyed voice that recalls the euphonies of Ol' Blue Eyes himself, Randisi breathes life into Sinatra's classics while winning over audiences with charming stage banter and unfulfilled promises to teach them to play catch. The Johnny Trudell Big Band cushions Randisi's melodies under a lush blanket of old-school sound, led by the group's famed, eponymous trumpet player. A postshow reception with Randisi allows VIP ticketholders to munch on hors d'oeuvres and sip nonalcoholic refreshments as they compliment the singer and try to steal his voice with an enchanted conch shell. All proceeds go toward outfitting a new home for the Rockford Area Museum.
Under the guidance of cofounders and brothers Mikhail and Arkadiy Sarkisov, the skilled coaches at Grand Rapids Fencing Academy enlighten budding swordsmiths on the essential techniques of modern fencing. During informative classes for all experience levels, students learn the foot moves, blade work, and confetti-cutting skills of èpèe-, foil-, and saber-style fencing. Each session is designed to improve mind-body coordination and flexibility while providing aerobic exercise. A wall of full-length mirrors allows pupils to view and modify their techniques inside the sprawling hardwood studio.
Mikhail and Arkadiy Sarkisov sharpened their fencing skills on the former Soviet Union's national fencing team before earning medals in their home country's national championship. In 2004, the United States Olympic Committee named Mikhail the Developmental Coach of the Year in fencing. Both brothers hold master's degrees in fencing and have placed highly in numerous tournaments across multiple globes.
In the decade following World War II, the only grand opera to be enjoyed in West Michigan was when a touring company passed through or a local Viking was carried away by valkyries. That's why, in the mid-1950s, a group of opera enthusiasts started the St. Cecilia Music Society, focused on modest productions with high-culture aspirations. Meanwhile, a group known as Opera Association Committee began laying the foundations of something larger by seeking partnerships with Grand Rapids Civic Theater and the Grand Rapids Symphony. By 1966, these organizations joined their formidable forces, and Opera Grand Rapids was born. Today, under the direction of Artistic Director Robert Lyall, who's held that position since 1989, the opera specializes in full-scale productions of classic masterpieces such as Madame Butterfly and newer works such as A Streetcar Named Desire.
Since 1993, Cirque Dreams' family-friendly variety extravaganzas have called upon a cast of acrobats, strongmen, and daredevils to wring the oohs and aahs out of audiences with tremendous feats of derring-do. During each themed production, more than 100 performers garbed in dazzling outfits twirl high in the air, contort their bodies into impossible shapes, and solve long division problems to earn uproarious applause from the crowd. At Dream Studios in Pompano Beach, Florida, hundreds of contracted artists from around the world develop their skills and prep for Cirque Dreams performances under the direction of Neil Goldberg and his team of choreographers, contortionists, and designers.
Although officially founded in 1930, the Grand Rapids Symphony's history stretches back to 1917 when an enterprising group of local musicians began practicing together and holding regular concerts. In the years since, the ensemble has retained this self-starter mentality while growing into one of the nation's preeminent regional orchestras. Always asserting its idiosyncratic individuality, the organization earned a 2007 Grammy nomination for its collaboration with flamboyant electric harpist Deborah Henson-Conant and the ire of conductors for its rule that all batons should be able to shoot sparks.