The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
The chuckle connoisseurs at Treehouse Comedy Productions have brought laugh-worthy comics to their stages for more than 25 years, giving an audience to future standup-comedy legends such as Rosie O'Donnell, John Stewart, and Jay Leno. Treehouse continues its commitment to busting guts with a calendar of upcoming shows that includes Comedy Central veteran Bill Santiago (April 6–7), who brings a neurotic edge while reflecting on growing up as a Puerto Rican in New York. Kevin Downey, Jr. (April 13–14), on the other hand, cracks macabre one-liners delivered with a distinctively belligerent yell that has been featured on HBO and Queer Eye for the Straight Guy. Mike P. Burton (April 27), erstwhile warm-up guy for Rachel Ray, uses a sensibility molded by a childhood in the South and an adulthood in New York to launch hilarious jeremiads about children, relationships, and society's foibles.
The first Funny Bone location opened in 1982 and has spread infectious laughter ever since. Established stars such as Drew Carey and Jerry Seinfeld have graced the clubs’ stages, as well as up-and-coming talents with fresh faces, fresh routines, and that fresh pine scent. The venue also plays host to a full-service bar, where patrons may steep their sorrows in calming brews, then ingest them triumphantly.
• "The Passion of the Italian Baroque: La Seconda Prattica from Monteverdi to Vivaldi" on Thursday, July 14, at 7:30 p.m. • "The Dark Lady" on Monday, July 18, at 7:30 p.m. • "Rose of the Compass: Travels from West to East" on Thursday, July 21, at 7:30 p.m. • "The Light of Spain in Music" on Friday, July 22, at 7:30 p.m.
A three-day lineup stocked with jazz legends and emerging talents blasts through more time signatures than a clock’s checkbook to usher in the 16th incarnation of the Litchfield Jazz Festival. The Springs Center stage kicks off Friday with genre luminaries The Clayton Brothers, whose silky sounds light a fire under the crowd that fellow Grammy nominees Trombone Shorty & Orleans Avenue stoke with brassy flares. Saturday hosts a veritable who’s-who of mind-blowing musicians with NEA Jazz Master grant winner Roy Haynes Fountain of Youth Band blasting buttery sounds after a Ray Charles tribute featuring Davell Crawford belts harmonies more memorable than “Happy Birthday” sung in Klingon. A collection of performers worthy of a Gatsbyan soiree closes out the festival on Sunday, with a hip-swinging finale from Jimmy Heath.
Hard-rock juggernauts Five Finger Death Punch give audiences four for flinching on their Share The Welt tour, a high-octane evening of nail-driving metal and chugging aural concrete. Since bursting onto the scene in 2007 with its gold-selling debut, The Way of the Fist, Five Finger Death Punch has scaled the charts and the musical food chain, gulping its competition like a possessed Takeru Kobayashi. For the tour in support of its latest effort, American Capitalist, the gang enlists an entire posse of heavy hitters. Massachusetts metal mavens All That Remains, fresh from melting soles on the Vans Warped Tour, bludgeon audiences with an arsenal of hits, and hardcore shredders Hatebreed share unkind words as they haze the speed of sound. Adding power-chord crunch to the show, Fort Wayne’s Rains sprinkles audiences with raw and emotional sonic sleet.