More than a dozen times?that's how often Treehouse Comedy Productions has been voted the "Best Comedy Showcase" by the readers of?Fairfield County Weekly. As the first full-time comedy showcase in Connecticut, Treehouse Comedy Productions has curated stunning selections of world-class standups for more than three decades. The heavy hitters in the Treehouse family tree include Rosie O'Donnell, Jon Stewart, Bill Maher, Chris Rock, Gilbert Gottfried, and Jerry Seinfeld, who once bid farewell to standup at Treehouse gig just before his TV show,?That's So Jerry!, became a hit. With roving locations at area restaurants, casinos, and bars, the arbiters of spit-takes continue to cull the sharpest cut-ups in the country for weekly showcases.
Seasoned boat captains and crustacean prospectors Sig Hansen, Johnathan Hillstrand, and Andy Hillstrand gather to share with audience members their tales of struggle and survival during crab season on the high seas, as partly documented by the Discovery Channel’s Deadliest Catch. Fishing the Bering Sea in the middle of winter demands strong wills—which can come together in times of treacherous weather and 100-foot waves or come to blows about who performs better in the three-legged crabwalk race. Selected audience members will also have the chance to don the survival suits from the Time Bandit. Following the story-swapping and previously unreleased video footage, greenhorns and avid fans will have the opportunity to launch questions at the captains, wave giant foam claws, and learn how to communicate in claw-snap Morse code.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Stamford's Palace Theatre's opened its doors in 1927 as a 1,580-seat vaudeville house, designed by acclaimed architect Thomas Lamb. In 1983, the venue began a new life when crews rehabbed the building and live performers once again graced the s
Hailed by none other than the New York Times for eclectic dishes that combine “a homey touch with a dash of originality,” The Pine Social throws a sophisticated spin on traditional American comfort fare. Chandeliers cast a soft glow on tables situated side by side within the tavern-like restaurant and lounge, which anchors its menu on free-range meats, ocean-fresh fish, and locally sourced produce. The kitchen’s homemade sausage and slow-braised beef short ribs are not to be missed, based on their own merits as well as their shared ability to whet palates for the dessert menu’s warm apple spring rolls. Sips of aged scotch and spiked, hot apple cider thaw jaws frozen agape at the tavern’s dark-stained walls, rustic wooden accents, and plush furnishings. Light from high-definition TVs glints off the bar’s full-service spirits station, beside which guests can treat their ears to music that pours forth from live bands on Thursday and Friday nights.
In the 1920s, Thomas Lamb was the man to see if you were planning to build a theater. The designer of everything from the Orpheum in Boston to Madison Square Garden in New York, his designs fanned the flames of vaudeville and inspired so much admiration in silent-film stars that they almost spoke. So when theater impresario Sylvester Z. Poli decided to built his Palace Theater, he turned to the best. Lamb designed the Palace in a Second Renaissance Revival style, mixing Greek, Roman, Arabic, and Federal motifs into the grand lobby and domed auditorium. With such a regal foundation, Poli couldn't keep his wallet closed when decorating, and spent $1 million dressing the Theater for a king. And so well outfitted, the Theater had a good run, operating with force until 1987. Then the lights on the marquee went out, staying dark for the next 18 years. But with such undeniable beauty, it couldn't stay dark forever. A three-year, $30 million restoration and expansion brought the Palace into the 21st century, turning it into a 90,000-square-foot historical landmark. Yet now, as in the 1920s, the Theater's mission remains the same: to serve as an artistic, cultural, educational, and economic catalyst for the community.