As the top affiliate of the New York Islanders, the AHL's Bridgeport Sound Tigers continue their tear through the 2010-2011 season and their quest for the Atlantic Division crown with a pair of upcoming home game. With the first game, ice enthusiasts can cool their heels with kith and kin and watch team points leader Rhett Rakhshani go toe-to-toe with Springfield’s top-scoring Matt Calvert in the battle for center ice. In the second game, catch goalie Kevin Poulin and his ability to send pucks into the 8th dimension as he tries to stop sneaky Portland winger Mark Mancari. Aside from the hard-hitting ice action, Sound Tiger fanatic families can catch the zany antics of Storm, Bridgeport Sound’s lovable blue tiger mascot.
Having recorded for such esteemed labels as Columbia Masterworks and Koch International Classics, Orchestra New England showcases masterful musicianship through performances of works by classical, romantic, and modern composers throughout the year. A yearly celebration of the sounds and sages of the baroque era, Baroquefest 2011 will feature guest harpsichordist Linda Skernick and selections such as Bach's Concerto in A Minor and Telemann's Tafelmusik III. "Soiree" explores the music of Vienna in the 1920s, as the orchestra will perform Schoenberg's arrangements of Debussy's Afternoon of a Faun, Mahler's Symphony no. 4, and excerpts from Thomas Edison's short-lived heavy metal band, The Draconian Lightbülbs. The premiere of a new work by composer-in-residence Mark Kuss, "Sounds. Distant." explores community displacement in China and features native Chinese musicians. The "Sounds. Distant." concert will also feature performances of works by Ives, Elgar, Bartok, Schubert, and more.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
In the evening, Grand Restaurant/Lounge caters to the foodie set, serving upscale bar food amid elegant minimalist decor. Later at night, an array of colored lights begins to glow beneath stairs, along windows, and in the eyes of visiting Terminators. DJs crank up the volume while bartenders sling cocktails below supernova-like chandeliers, but intimate clusters of armchairs provide a respite from the carnival on the dance floor. As they lounge, diners can savor dishes such as lobster ravioli or burgers topped with deviled eggs or fig-balsamic glaze.
In the 1920s, Thomas Lamb was the man to see if you were planning to build a theater. The designer of everything from the Orpheum in Boston to Madison Square Garden in New York, his designs fanned the flames of vaudeville and inspired so much admiration in silent-film stars that they almost spoke. So when theater impresario Sylvester Z. Poli decided to built his Palace Theater, he turned to the best. Lamb designed the Palace in a Second Renaissance Revival style, mixing Greek, Roman, Arabic, and Federal motifs into the grand lobby and domed auditorium. With such a regal foundation, Poli couldn't keep his wallet closed when decorating, and spent $1 million dressing the Theater for a king. And so well outfitted, the Theater had a good run, operating with force until 1987. Then the lights on the marquee went out, staying dark for the next 18 years. But with such undeniable beauty, it couldn't stay dark forever. A three-year, $30 million restoration and expansion brought the Palace into the 21st century, turning it into a 90,000-square-foot historical landmark. Yet now, as in the 1920s, the Theater's mission remains the same: to serve as an artistic, cultural, educational, and economic catalyst for the community.
The consortium of professional instructors at Fred Astaire Dance Studio, which was cofounded by the legendary dancer himself, shepherds students of all ages and skill levels through lessons that span the style spectrum. Low-pressure private sessions allow enthusiastic teachers to fine-tune individual students' techniques and form using their expert eyes. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or samba. For dancers hoping to hoof it up in a social setting, the group practice parties provide a one-night extravaganza of instruction, demonstrations, and amateur firewalking.