Some things about the Clova Cinema have changed over the years; as it passed from owner to owner, it has been a video-rental shop, a youth centre, and a stage for live performances. But despite its numerous incarnations, the rich red facades, the art-deco decorations, and the bright marquee have remained proudly in place. These features hearken all the way back to the theatre's 1947 opening, when Humphrey Bogart dominated the screen and popcorn was popped in gleaming machines instead of Buick-sized microwaves. Now, the cinema's single screen flickers to life with weekly evening and weekend matinee showings of current releases. The theatre is rife with family touches, from the real butter on the popcorn to Cupcake the dog, who is on hand at matinees to entertain guests before the show and sniff out unsilenced cell phones.
Now that it has been fully restored, the Rio Theatre immediately recalls the splendour of its grand opening in 1938. Hiding behind the old-fashioned aesthetics, however, are a digital HD projector and surround-sound speakers that immerse filmgoers in an eclectic array of first-run blockbusters and cinema classics. Showing films again as of April 2012, the theatre’s movie selection ranges from sci-fi and horror to wholesome family films, though the program coalesces around a love for pop culture that the owners share with their most ardent fans.
Aside from the daily show times, cult classics—frequently in their original 35 mm form—screen at midnight on Fridays. Guests from all walks of life come out to these packed showings, where they can snack on popcorn made with real butter or win prizes for dressing in costume as their favourite character or key grip. The 420-seat theatre also hosts concerts and events throughout the year, including past performances by Janeane Garofalo and local musicians Bend Sinister.
Foreign, classic, and Canadian films light up the big screen at Pacific Cinémathèque, a 194-seat theatre recognized by the Vancouver Sun as the best art-house and foreign-film venue in 2009. Established as a film society almost four decades ago, the movie palace has since flourished into a polestar for under-the-radar films, showcasing lesser-known works and cinematic icons alike during single and double billings six nights a week. In an effort to enhance Vancouver's cinematic culture without transplanting the Hollywood sign to the top of One Wall Centre, the theatre is also home to several educational opportunities including a film reference library and the West Coast Film Archive, which preserves the legacy of independent filmmaking on Canada's west coast.
Dunbar Theatre keeps things simple: fresh popcorn, comfortable seats, a friendly staff, and one big screen. But in simplicity is something fresh. Those newly installed seats have enough room that audiences can stretch their legs, armrests raise for cuddling, and a balcony lets viewers change up their sightlines. Old-fashioned styles aside, the movie house stays up-to-date with recently upgraded projection technology and a sound system with the clarity of 10,000 Morgan Freemans. Located near UBC, the theatre is within walking distance of numerous diners and cafes, making it a date-night no-brainer.
The friendly filmwheelers at Fifth Avenue Cinemas screen an eclectic mix of mainstream hits and little-known independent flicks in their Burrard Street theatre. Your Groupon is good for two tickets plus a large serving of popcorn, blanketed in a rich coat of real butter and made from corn that contains no genetically modified organisms or evil-sauce. The theatre boasts snuggle-inducing "love seats," in which each armrest can be raised so you and your date or anthropomorphic dachshund can cuddle throughout the film. Upcoming flicks include Philip Seymour Hoffman's feature-film directorial debut, Jack Goes Boating, and Woody Allen's upcoming You Will Meet a Tall Dark Stranger.
The Vogue Theatre presents listeners with an evening of poetic lyrics, high-octane guitar playing, and euphonic melodies from three talented acts. Hailing from Vancouver's east side, The Fugitives combine intricate songwriting with folksy musical accompaniment to craft hypnotizing live performances that tickle ears and help uptight pocket watches unwind. C.R. Avery dazzles audiences with deftly flowing spoken-word poetry, percussive beatboxing, and ear-tickling harmonica riffs, and guitar-picking mastermind Wil shreds six-stringed music makers with moody, intense songs of love and loss. In addition to individual acts, a group performance will combine all three acts into an intoxicating musical melange that, like a pig with pterodactyl wings, is greater than the sum of its parts.