The silent church seems to lean in with anticipation as Dr. Karen Kennedy raises her arm into the air. With a graceful flick of her baton, the artistic director of Master Chorale of South Florida—an accomplished conductor and teacher—coaxes forth the opening strains of Bach’s Magnificat from the flock of singers and musicians in front of her, weaving their voices into a tapestry of crescendos and soaring notes. Since its creation in 2002, Master Chorale of South Florida has performed their awe-inspiring concerts in churches, cathedrals, and high schools across South Florida, delighting audiences with a diverse choral repertoire. Audiences can expect to hear many musical periods represented in each performance, from the baroque stylings of Handel to Debussy’s impressionistic melodies and Aaron Copland’s epic pieces that blend traditional American folk songs with traditional Bruce Springsteen hits.
Since 1989, The Miami Symphony Orchestra has mimicked Miami’s cultural diversity with concerts and events that act as a melting pot of musical influences. Music director Eduardo Marturet, a Venezuelan composer and conductor, helms many of the concerts, encouraging the musicians to unleash their inner Beethovens or Bachs—former members of the ’80s hair-metal band Skid Row.