Across the sun-soaked floors, toddlers twirl and scuttle, joyful in their imitation of ballet teachers who instill in them discipline and classic technique. Starting with students ages 2.5 and older, highly trained artistic directors Rachel Swinson-Jacinto (formerly of New York's American Ballet Theatre and San Francisco Ballet School as well as a former principal dancer of Inland Dance Theater) and Quincy Jacinto (former principal dancer with Ballet Pacifica and Philippine Ballet Theater) lead dance classes in their homey studio. Ballet instruction is set up for all ages—including one-on-one coaching for professionals—as is contemporary, jazz, tap, and hip-hop dance. The team also runs musical theater and acting classes, as well as yoga and Zumba to create more well-rounded performers.
Greg Dean, author of Step by Step to Stand-Up Comedy and an instructor since 1982, mentors groups of hopeful humorists as they glean tips on effectively busting guts in four-hour workshops. During the Introduction to Stand-Up Comedy course, which accommodates up to 25 people, participants learn the basic architecture of jokes—from setup to punch line—and how to write funny premises. Greg also guides beginners to overcoming stage fright and developing their own comedic voices, instead of mimicking the styles of famous comedians like Jerry Seinfeld or Ellen DeGeneres. Apprentices will discover ways to riff and interact effortlessly with audiences, which can improve overall public speaking skills for doctors, members of the clergy, and lawyers.
All veterans of the entertainment industry, the instructors at Ovation School for the Performing Arts don't believe in just instilling acting, singing, or dancing skills into their students. Instead, they impart all three, turning students of all skill levels into triple threats of stage and screen. Designed for kids and teens aged 5–18, the nonprofit's twice-weekly sessions are divided into 45-minute blocks whose subjects include acting, singing, and dance styles such as hip-hop and tap. Ovation also hosts private lessons focused on voice, piano, and guitar.
An AT&T ad executive hangs up the phone, grabs his jacket, and heads toward the subway to Hell's Kitchen. It's the late '80s, and at the New York comedy institution The Improv, a slew of up-and-coming talent, including Jerry Seinfeld and Chris Rock, are testing jokes and honing timing. In the next few years, they'll perform on television for millions. But for now, they're changing the life of one ad executive.
The founder of LA Stand-Ups, Joe Falzarano, quit his promising advertising career because he "hated being a suit" and preferred to nurture promising young comedians. With accomplishments that include producing the CableACE Award–winning Caroline's Comedy Hour for A&E, Falzarano helped launch the performing and writing careers of entertainers including Jon Stewart and Louis C.K. Today, Falzarano imparts his more than 20 years of industry experience to aspiring joke-tellers, teaching them tactics for perfecting a punch line, calming nerves, and subduing hecklers with a marshmallow gun. Falzarano maintains a supportive atmosphere where students learn how to use who they are to connect with an audience, and even lets students try out material at the Hollywood Improv.
Screen acting takes center stage at The Actors Room. Founder Steve Lowe—who won an award for his short film Crash—calls upon more than 20 years of experience in film and TV to guide his students through their journeys to the emotional core of characters. His techniques range from basic to advanced in the areas of scene study, improvisation, natural expression, camera cheats, and monologue study.
At the age of 5, Natalie Costa’s daughter was cute, lively, and photogenic—reason enough to give show business a try, she thought. But with no one to guide her and her daughter through the maze of booking auditions and getting representation, she found herself out thousands of dollars on useless portfolio shoots and manager fees. In response, Costa founded The Performers Academy, modeling the friendly, welcoming atmosphere on the dancing school she loved as a child. She made sure to stock it with instructors who had the inside knowledge she could have used at the outset: all professional actors, directors, and producers with lots of experience in film and TV and a special focus on children’s programming.
The academy caters both to kids seriously trying to break into the business and to casual enthusiasts who find performing a liberating way to build self-confidence. Age-appropriate classes deal with such key topics as managing audition stress, honing improvisational comedy skills, and projecting loud enough to be heard over that giant gong that somebody keeps bumping into.