Generation gaps call an evening-long truce to absorb the electric harmonies and magnetic energy of legendary rock bands Def Leppard and Heart. Def Leppard began its ascent to British hard-rock royalty in 1977, solidifying its reign with the 1987 multiplatinum album Hysteria and its iconic anthems "Love Bites" and "Armageddon It." Its latest tour stokes nostalgia and then pours sugar on it, with library classics giving way to singles such as "Undefeated" from the forthcoming Mirror Ball – Live & More album. Heart frontwomen Ann and Nancy Wilson add to the aural carnival with sisterly harmonics and guitar-wrangling routines developed over more than 30 years onstage. Revelry-inducing '70s hits "Barracuda" and "Crazy on You," along with soul-clutching '80s power ballads "Alone" and "What About Love," embody the decades whence they came while continuing to forcefully knock the socks and toenail polish off rapt concertgoers.
As part of their Shakespeare-Under-the-Stars series, First Folio Theatre will perform Romeo and Juliet, the Bard’s timeless tale of love, betrayal, and teenage angst. The play centers around two young lovers, born into bitterly feuding families, who risk their lives and their families’ wraths in order to launch a joint space program. As the plot progresses, smitten eyes give way to fighters leaping and lunging across the stage with swords drawn to defend loyalty and avenge loss. Audiences behold the saga in general admission arrangements on a scenic, sloping lawn. Set beside a Tudor revival manor and an Italian-replica chapel, the outdoor theater evokes the essence of Verona, complete with that region's legendary poison vendors.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Chicago Sinfonietta was already markedly different from its counterparts when it played its first notes in 1987. Its founder and conductor Paul Freeman wanted to create a symphony that actually reflected the community in which it existed. The ensemble he formed brought together musicians from diverse racial and cultural backgrounds, who interpreted both classical pieces and forgotten compositions from composers of color. His concept proved successful—the symphony toured Europe, played the Kennedy Center twice, and produced 14 albums, all while tunefully demonstrating the universality of music.
Today, Chicago Sinfonietta continues to perform unique programs, and supports music education and professional development opportunities for members of underrepresented communities. Freeman retired from his post at the end of the 2011 season, passing the reins new music director Mei-Ann Chen, but his legacy lives on in the music of performers he helped get started, including classical-music legend Yo-Yo Ma.
Founded in 1997 by inventive Chicago artist Sean Graney, The Hypocrites curates unorthodox theatrical endeavors with inimitable panache and an underlying emotional vulnerability. Praised by the Chicago Sun-Times for its propensity to “never do things the expected way,” The Hypocrites have applied its unconventional approach to classic texts such as The Threepenny Opera, Frankenstein, and Kafka's The Trial. Throughout the years, these productions have earned the company a trophy case of Joseph Jefferson citations, as well as an After Dark Award and a letter of recommendation from Shakespeare’s great-great-great-great grandfather.
Occupying a building that sprang up at the turn of the 20th century, the Irish American Heritage Center (IAHC) somehow manages to cram Ireland into one of Chicago’s city blocks. Work from Irish artists hangs in the building’s art gallery, books from Irish authors fill its library, Irish plays light up its 658-seat theater, and Irish food and drinks delight the crowd on the main floor at the Fifth Province Pub. The IAHC also has a knowledgeable staff of instructors, who teach classes on everything from Irish dance and music to Irish language and genealogy.