Founded in 2002 by Erik Sanborn, a Minnesota native whose art has taken him to stages across 25 countries, the Metropolitan Ballet curates a company of skilled dancers, some with ties to such prestigious companies as the Bolshoi Ballet. The curriculum is grounded in the Vaganova method of ballet, which emphasizes a strong core and full-body perfection of movement. The company also stays busy with a full season of performances, with lavishly costumed dancers moving through dramatic stories that have ranged from Dracula to The Nutcracker.
Under the tutelage of Energy Dance Center's skilled instructors, groovers and twirlers ages 1–18 can actively engage in the art of dance. Tots and toddlers in the Rising Stars Summer Sessions I and II can work on coordination and basic motor skills during the Creative Movement class ($50) or try ballet and tap ($55). Young gents ages 4 and up can perfect moves at the Boys-Only Hip-Hop class ($55). Session I's Ballet, Jazz, and Tap classes for ages 5–7, 7–9, and 9–11 (all $68) use positive reinforcement to build graceful boogying skills, while Session II's Recreational Hip-Hop classes for 5- to 8-year-olds ($55), 9- to 12-year-olds ($55), and kids 13 and up ($55) inspire students to break out into spontaneous pop-and-lock routines during family road trips.
Little did Arthur Murray know when he opened the Arthur Murray Dance Studio in 1912 that it would play an integral part in history. It was a dance studio that helped revolutionize direct mail advertising and led Murray to be the first person in the world to broadcast live dance music on the radio. By the 1930s, he had his instructors teaching new dances including “The Big Apple,” followed by the “Teeny Banana” on first-class steamship cruises. His instructors moved from steamships to big screens, teaching actors dance moves and starring in such films as Dirty Dancing and Saturday Night Fever. By then, the studio had inspired the hit song “Arthur Murray Taught Me Dancing In A Hurry” by Betty Hutton and the Jimmy Dorsey Orchestra. Today, the studio’s name appears on the pages of Vogue, Martha Stewart Wedding, and Sports Illustrated.
Aside from remaining a presence in media and cities around the world, the Arthur Murray Dance Studio gets feet moving by teaching popular dances that include the cha-cha, fox trot, salsa, samba, and swing. The studio instructs on a variety of dances that help people look cool at bar mitzvahs, nightclubs, crosswalks, and anywhere dance is popular.:m]]
The State Theatre was saved, as its website states, from "the ravages of time." Built in 1921 as a vaudeville and silent-film palace, the venue fell on hard times in the 1970s when disco balls replaced light fixtures and complex hand-slaps were substituted for tickets. In 2003, however, a $3 million renovation restored the State Theatre to much of its original glory, as crews painstakingly rehabbed the ornamental plaster and terracotta exterior. Inside the theater, a stunning chandelier sparkles more brightly than ever below the venue's signature dome.
Keeping it simple. That’s how Elite Ballroom’s instructors engage students in ballroom and Latin dancing. Taking it step by step, they give everyone the confidence and skills to hit the dance floor at any time and for all special events. They offer group classes, as well as private lessons, and hold open dance socials where everyone can strut their stuff.
The first of the two performances takes place on Thursday, April 8, and begins at 7:30 p.m. During the performance, conductor Courtney Lewis will treat audiences to a classical teaser of upcoming pieces highlighting the 2010–2011 concert season—including Mozart's Overture to The Magic Flute, Brahms's Allegro con spirito from Symphony No. 2, a selection from Rimsky-Korsakov's Scheherazade, and Rachmaninoff's Adagio from Symphony No. 2, among other delights. The second concert on Sunday, April 11, takes place at 2 p.m. and features conductor Sarah Hicks as she leads her audience through a potpourri of forthcoming arrangements for the approaching season. Samples from the orchestra's pops, special-presentation revues, and holiday and classical repertoire will treat casual and passionate listeners alike to a level of acoustic perfection that no computer speaker can replicate.