Since its origins as a converted parking garage, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its auditoriums, even gaining a following among Hollywood legends; Quentin Tarantino has been known to host five-day movie marathons at Alamo. The theater has earned that reputation by making moviegoing a personal experience, from the menu of handcrafted snacks and locally brewed beer to the completely ad-free presentations before shows. Alamo?s ninja servers pick up written food and drink orders throughout the movie and serve moviegoers directly at their seat. The staff enforces a strict no-talking, no-texting policy by kicking out any offenders, falling just short of yanking them from their seats with a giant's shepherd's crook.
Both first-run blockbusters and classics are projected onto Alamo's silver screens in crisp 35-millimeter or digital format. Meanwhile, surround speakers immerse audiences in the cinematic soundscape, whether they're seated in one of the expansive theaters afforded to blockbuster reels or the more intimate spaces reserved for indie films wound around tiny bobbins. Despite Alamo's vow of silence, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and actors, directors, and other celebrities often attend special screenings to lead in-depth discussions. These exclusive events have led to acclaim for Alamo from publications such as Entertainment Weekly, which called it ?one of America's most fanatically unique moviegoing experiences,? and Wired, which opined that it "might just be the coolest movie theater in the world."
Converted from a historic 1930s art-deco theater, the modern iteration of the Arlington Cinema & Drafthouse is a combination restaurant, movie theater, and performance space. Besides screening blockbusters, the venue also hosts regular comedy shows featuring standups who have shared their skills on The Tonight Show, David Letterman, and Conan O'Brien. Between laughs, audience members can take bites from a complete menu or sips of selections from a full-service bar.
At Rivertowne 12 Cinemas, children’s films, supernatural thrillers, comedies, and superhero blockbusters all share equal billing. Twelve auditoriums light their silver screens with 3D and digital projections, carrying audience members to other worlds so they don't blow their savings accounts while trying to make a space elevator.
Founded by a ring of cinephiles who set out to rehab an abandoned theater just north of George Washington University, West End Cinema screens foreign, independent, and documentary films that open up new intellectual and cultural vistas. Films run the genre gamut from quirky, independent dramedies and comedramas to special live events such as Opera in Cinema or Ballet in Cinema. Sunset-orange and slate walls and recessed lighting usher guests from a glass-fronted lobby into three cozy theaters, each of which seats between 50 and 100 watchers. On the way, they'll pass an abundantly stocked concession stand, where they can harvest drinks from a full bar, baklava, and gourmet sandwiches along with additional children from the sour patch.
One In Ten was founded in 1991 at the same time we began the Reel Affirmations International Gay and Lesbian Film Festival. Through the arts, One In Ten works to build community among GLBT people fostering a sense of belonging by bringing our stories, our struggles and accomplishments to life on the stage, screen and page.
One of many vaudeville and movie palaces that sprung up in the 1920s, the Warner Theatre today drops jaws in much the same way it did in its infancy: with glittering chandeliers, gilded ceilings, and red-felt seats. Yet before transforming into its modern incarnation, it served as a film-only venue with such luxuries as a rooftop garden and a ballroom in the basement. The Warner even had a dance troupe akin to the Rockettes?called the Roxyettes?who would high-kick before and after the screen lit up.
After falling into disarray in the '70s, the Warner became a concert venue, saving it from the wrecking ball but forcing it to require a complete renovation in 1989 to remove years of grime and stray musical notes lodged between seat cushions. At the reopening gala, a host of stars performed, including Frank Sinatra in what would prove to be his last DC show.