A musician strums a ukulele onstage as hips sway around him in a hula dance. Laughing heartily with his friends at a nearby table, one man pinches seaweed-wrapped squares of sushi rice—authentic Hawaiian musubi—from shared plates as he talks up his latest adventures. At another table, the diners sing along with the ukulele player, eyes twinkling as the melody calls up memories of home.
This feeling of camaraderie, the spirit of aloha, is what owner Peter Be and his wife, Rena, wanted to capture when they opened Da Kine Cafe in 2010. When Rena, who was born in the Kalihi Valley on the island of Oahu, craved true Hawaiian eats, her choices were limited to lackluster mainland-style interpretations, such as lau lau wrapped in a tortilla instead of taro leaves. She put together a menu of authentic Hawaiian cuisine, with 10 variations of the hot noodle soup called saimin and 10 types of poke, which the head chef of the mainland's most famous Hawaiian restaurant dubbed the best in town. Classics such as the gravy-soaked beef patty of the loco moco fill the menu, waiting to be washed down with fresh-fruit smoothies and on-tap ales from the islands or local microbreweries. Gluten-free options are also available.
The décor reproduces the laid-back Hawaiian feel that Rena and Peter remember, so that even the restaurant’s stage wears a grass skirt. On Ohana Saturdays, visiting musicians take the stage, many of them winners of the Hawaiian islands' most prestigious music accolades, the Na Hoku Hanohano awards. Performers include slack-key-guitar player LT Smooth as well as the singer Mailani, accompanied by esteemed ukulele player Dr. Trey. Starting in the springtime, weekly festivals celebrate Hawaii's music, its dance styles, and its excessive number of festivals.
Since 2001, Badfish has energetically replicated the ska-punk sounds of Sublime, regaling fans who were never able to see the band live after the untimely death of primary songwriter and lead singer Bradley Nowell. Badfish culls its accurate renditions from the California punk legends’ three-album catalog, including hits from its major-label debut, Sublime, deep cuts from lo-fi classic Robbin’ the Hood, and several reggae-rich versions of the Baywatch theme song. Openers Scotty Don’t and Just Chill warm up the crowd on Avalon’s standing-room dance floor with dubstep tunes and an incense-smelling contest.
Having helped shape the rock landscape, Yes, Styx, Kansas, and the Greg Kihn Band continue to flex their honed and toned musical muscles as they infuse the KFOX Kihncert 2011 with memory-stirring classic rock. The virtuosos of Yes flaunt their titanic talents as they crack the spine on a songbook that includes showstoppers such as “Roundabout” and “Owner of a Lonely Heart,” as well as material from their newest album, Fly From Here. Styx, responsible for tunes such as “Come Sail Away” and named for the most popular water park in ancient Greece, invites listeners to hitch their ears to its litany of hits, many of which have been re-recorded for the band's Regeneration series. Filling out the rock-chocked day, the wayward sons of Kansas carry on with orchestral opuses about philosophical dust, and Greg Kihn serenades cochleae with gems such as “Jeopardy” and “Breakup Song (They Don't Write 'Em)” from his Kihnsolidation: The Best of Greg Khin box set.