Peninsula Symphony, founded in 1949 with the goal of enriching communities with affordable musical productions, grew from a grassroots ensemble to a 90-plus-member orchestra of well-trained local musicians. Music Director Mitchell Sardou Klein leads the ensemble with a steady baton, a sharp ear, and the stamina to carry on through the inevitable triple encore.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Kenneth Donald Rogers—an American country-music star, photographer, producer, actor, and fellow with a nice beard—has won three Grammys and more than a dozen American Music Awards for his sweet, stirring crooning. Though he won't be toting his dozens of awards, Mr. Rogers will be bringing an impressive showcase of selections from his extensive collection of country hits. To prep the crowd for the main event, The Herndon Brothers—a local act lead by Ray Herndon, a country star known for livin' the dream—will layer the crowd in hometown vibes from their wide library of inspiring and honest tracks.
• For $36, you get a seat in section 201–203 or 213–230 (a $54.20 value before fees, or up to a $71.50 value online, including all ticketing fees). • For $56, you get a seat in section 113–120 (a $94.20 value before fees, or up to a $112.90 value online, including all ticketing fees).
Quartet San Francisco is a vibrantly nontraditional ensemble, and will play two pieces that celebrate the welcome inspirations of jazz, tango, and spring, all within glorious acoustic and architectural environs. San Jose Chamber Orchestra’s venerable conductor Barbara Day Turner, known for her innovative programming, wields the baton as the bestringed foursome delivers Anica Galindo’s "Trinitas III" and Henry Mollicone’s "Fantasía Para Cuerdas." Violin co-conspirators Jeremy Cohen and Alisa Rose, viola repeat offender Keith Lawrence, and stealthy cellist Gianna Abondolo are deft crossover artists as well as Grammy nominees, having played in a multiplicity of genres and performed in strikingly diverse venues around the country.