Within Studio Movie Grill's expansive auditoriums, towering screens enrapture audiences seated in plush leather recliners and at dining tables. As the familiar celebrity faces in blockbuster and cult-classic features deliver Oscar-worthy lines, sneakily quiet waiters deliver meals from a full menu decorated with more than 100 items, including gourmet pizzas, smoked ribs, and cocktails infused with the spirit of Daniel Day-Lewis. Bartenders at the lobby bar dole out glasses of premium liquors, wines, and draft beer before and after shows.
Since 1986 VideoFest has specialized in fiercely independent, imaginative, unusual, provocative and sometimes description-defying electronic media. VideoFest is a bastion of true independent media, offering viewpoints and voices and visual styles that don't always have expression in more mainstream festivals.
From its first days as a converted parking garage to its time as a host for Quentin Tarantino's five-day movie marathons, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its atypical auditoriums. The theaters subvert the industry standard by offering locally brewed beer and fine wines, a rotating menu of handcrafted snacks and desserts, and an advertisement-free experience. A long table stretches in front of every row of seats, enabling waiters to unobtrusively pick up written food orders throughout the night.
An even more refreshing break from the standard moviegoing experience is the strict no-talking, no-texting policy enforced by Alamo Drafthouse staff and an enormous shepherd's crook—with a few notable exceptions. For example, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and appearances by actors, directors, and other film celebrities append screenings with in-depth discussions. These exclusive events have helped build Alamo Drafthouse's reputation among cinephiles across the country, leading to nods from Entertainment Weekly, which called it “one of America's most fanatically unique moviegoing experiences,” and Wired, which opined that it "might just be the coolest movie theater in the world."
Alamo Drafthouse's schedule balances first-run blockbusters with silver-screen classics, projecting them in crisp 35-millimeter or digital format. Surround sound submerges audiences in the cinematic landscape, whether they're seated in one of the intimate theaters reserved for indie screenings or the more expansive spaces afforded to Hollywood epics.
With an ambitious repertoire that mixes ancient classics with groundbreaking new plays, Broken Gears Project Theatre puts on socially conscious spectacles aimed at challenging both spectator and performer. Creditors, on view through March 3, is a darkly comic tale of how old debts can reopen old wounds. Running March 17–26, The Magadalen Whitewash explores a dark chapter in Irish history when women were forced into abusive convents for becoming pregnant outside of marriage. Between April 21 and May 8, players don masks for a take on Sophocles' ancient Greek melodrama Oedipus The King, but utilize multimedia techniques to give it a decidedly modern feel. Finally, La Mano (The Hand) presents a magical realist fable about a rich man that buys a hand on the black market, and the original owner who wants it back, from June 6–26.