The senses are stuffed with aural and visual excess as English tribute act Brit Floyd recreates the sonic mind expansion and visceral enlightenment of a real Pink Floyd show. The band of highly trained virtuosos and a quintet choir of chanteuses does justice to its subject like a jury of smitten rock critics, nailing every note and nuance of Pink Floyd’s signature sound. Rollicking through all of The Floyd’s epic oeuvre, the British group finesses a catalog of timeless hits, including “Wish You Were Here” and “Learning to Fly.” The elaborate stage setup replicates The Division Bell tour, replete with metamorphic lasers and lighting, avant-garde screen projections, and a mammoth ocular stargate, giving fans the closest thing to seeing a Pink Floyd show without being miniaturized and injected into their uncle’s subconscious.
In support of her high-decibel new album, Rihanna kicks off her hotly anticipated LOUD tour with emphatic gusto and a sizzling roster of special guests. Like an art show at a sundae bar, the LOUD tour floods the senses, enchanting audiences with lavishly designed sets, myriad costume changes, move-busting dancers, and Rihanna's songbook of Grammy magnets. Crooner Cee Lo Green augments the songful offerings with his own vocal talents, and Roc Nation rapper and rhythm scientist J. Cole further helps resuscitate ear drums traumatized by the outside world's blaring car horns and shrill howler monkeys.
Inside Philadelphia's Magic Gardens, the Red and Black Tie Affair entertains attendees with refreshments, African dance and music, and a silent auction, with all funds going to aid the undereducated and ill in Africa. Wine and snacks will be served as dancers and musicians perform popular African dances. A silent auction offers stellar prizes, including an all-inclusive four-night stay in the Dominican Republic's Punta Cana, shoes worn by Elton John, authentic West African clothing, and Jimmy Carter's imaginary boyhood friend.
The Penn Museum hosts its fourth annual P.M. @ Penn Museum Summer Nights concert series, presented in the Museum's verdant outdoor Stoner Courtyard on the University of Pennsylvania’s idyllic campus. Just inside, guests can immerse themselves in the Museum's newest exhibition, "Black Bodies in Propaganda: The Art of the War Poster," before moving on to explore a world of art and artifacts, many obtained from archaeological and anthropological expeditions conducted by the Museum since its founding in 1887. Wandering its galleries, guests explore rare objects from the near and distant past, including those found in the Egypt (Sphinx) Gallery, home to a monumental granite sphinx circa 1200 BCE. Elsewhere, visitors marvel at intricate bronze and ivory carvings from West Africa's Kingdom of Benin, created between the 17th and 20th centuries, and intricately carved Maya stone stelae from pre-Columbian Mesoamerica. Changing exhibitions showcase travelling collections or draw from the Museum's vast collection of objects from every inhabited corner of the globe.
The term EgoPo derives from the French for the physical self, and it's more than the name of a theater—it's an acting style. The work of EgoPo's thespians is intense, and the physical and vocal training is grueling. It's not a place where actors waltz into auditions with new head-shots and freshly minted business cards that say, "Up-and-Coming Professional Actor." At EgoPo, the permanent team trains year-round until they become a theatrical organism, capable of rewarding viewers who tire of the same old summer stock. Although "classic" is in their name, EgoPo's productions typically skirt tradition in favor of provocation in visceral performances.
The Kimmel Center for the Performing Arts proudly stands as the apex of Philadelphia’s Avenue of the Arts. Aiming to entertain a broad audience, the space’s soaring vaulted-glass ceilings ring with the sounds of the Broadway shows, jazz concerts, world music, and classical performances contained in its many concert halls and theatres, including the adjoining Merriam Theater. Opened in 1918, the Merriam has hosted legendary thespians such as John Barrymore, Katharine Hepburn, and Sir Laurence Olivier throughout the decades and continues its legacy today by hosting touring shows of all types.