Having soared to the midpoint of their 2011 season with three hard-fought victories, the Dayton Flyers look to continue their ascent in the Pioneer Football League standings by defending their home turf at Welcome Stadium. The team moved to the NCAA I-AA mid-major level in 1993, earning a reputation for excellence with the second-best winning percentage in NCAA FCS football since the turn of the century and a stockpile of 11 Pioneer Football League championships to its name. Head Coach Rick Chamberlin leads the squadron of gridiron giants, frantically waving a traffic-control wand to direct footballs safely into the hands of his receivers. Redshirt freshman quarterback Will Bardo pilots the offense in his first year of action, locking onto top-tier targets such as senior wide receiver Luke Bellman. Team captain and defensive end Devon Langhorst holds down the other side of the ball, distracting quarterbacks from their play calls with fascinating anecdotes about fellow Daytonians and team namesakes Orville and Wilbur Wright.
Shrouded in the winter’s frigid cold and the Northern Lights’ ethereal beauty, the residents of the titular small town in Almost, Maine fall in and out of love during nine loosely linked vignettes performed by Sinclair’s ensemble cast. Written by John Cariani, the play thawed Off Broadway hearts six years ago in a debut that drew the New York Sun to herald it as a tale of “love in the time of frostbite.” Each of the short pieces chronicles two characters who lament love lost or revel in budding romance and long johns magically overflowing with $5 bills. In one scene, a young woman carries her broken heart in a balled-up paper bag she clutches to her chest. In another, a married couple lobs verbal jabs and emotional roundhouses at each other while looking for a missing shoe. Many of the mini plays skewer reality with a fantastical lance, the enchanted devices often directing the characters' precarious ventures of the heart. The mysticism of Almost, Maine is further reflected by the colorful history of Blair Hall Theatre, rife with supernatural stories, ghost sightings, and actors with sparkling smiles that cast no reflections.
As part of the Miami Valley and Good Samaritan Hospitals Classical Series, New Worlds is a three-part musical odyssey composed of pieces inspired by different visions of America. The evening commences with the whimsical gypsy-folk gallop of George Enescu's Romanian Rhapsody no. 1 before getting shredded by Michael Daugherty's guitar-centric Gee's Bend, an electrifying concerto inspired by the Alabama quilting community of the same name. A different America is explored with Antonin Dvorák's Symphony no. 9 (From the New World), a sweeping swan song written during the Czech composer's many twilight-year adventures in the United States, including the legendary New York Harbor concert where he performed an impromptu duet with the Statue of Liberty.
The history at Victoria Theatre stretches back to 1866, when the "Magnificent Edifice" was first built at First and Main Streets. Its halls have hosted entertainment luminaries of many eras, including Harry Houdini, Mark Twain, and Socrates during his I Know That I Know Nothing comeback tour. In 1975, it was named to the National Register of Historic Places, a list where the Italianate structure still resides well into the 21st century.
Today, the Victoria Theatre hosts performances by many of Dayton's arts organizations—including the Dayton Ballet—as part of a full slate of compelling entertainment choices. The Victoria Theatre Association's ongoing programs include the Premier Health Broadway Series, PNC Family Series, and Cool Films, as well as concerts, variety shows, and comedy sets.
The history at Victoria Theatre stretches back to 1866, when the "Magnificent Edifice" was first built at First and Main Streets. Its halls have hosted entertainment luminaries of many eras, including Harry Houdini, Mark Twain, and Socrates during his I Know That I Know Nothing comeback tour. After becoming the victim of two fires (1869 and 1918) and a flood (1913), the theater avoided man-hurled wrecking balls in 1975 when it was named to the National Register of Historic Places, a list where the Italianate structure still resides well into the 21st century.
The Human Theatre Company is a professional theater company dedicated to themes that encompass the human condition, shatter unexamined perceptions, and raise social awareness. Twelfth Night, or What You Will showcases Shakespeare's comic wit with themes of love, love lost, mistaken identities, and Elizabethan spit-takes. Revel in musical interludes and lively portrayals including Claire Kennedy as Viola, Sara Mackie as Olivia, and David Dortch as Orsino. Seating is on a first-come, first-served basis. For best results arrive early or bribe a neighborhood magician to teleport you to the front of the line.