Offering BYOB art classes in a welcoming, instructor-assisted atmosphere, Corks N Canvas provides a laidback setting for self-expression. Participants will receive step-by-step instruction to craft striking artwork they can take home at the end of the session and place above their mantle, secret trap-door bookcase, or army-men-figurine reenactment of the battle of Pork Chop Hill. Choose among several sessions (click on the address of your chosen location to see a calendar of events) that teach budding strokesters to paint vibrant doggie portraits, landscapes, or abstract-expressionist renditions of the DMV. The creative paintventure may finally spark the dormant artist within that’s been reclusively hiding like Boo Radley since the finger-painting period.
Having given residential refuge to nine governors and their families, the Old Governor’s Mansion stands as one of the state’s foremost historical structures. Amble across floors once trampled by the feet of such men as governor and country-music legend Jimmie Davis, Governor O.K. Allen, and Governor Huey P. Long, the “Kingfish,” feared for his shrewd political skills and mighty mackerel militia. Some of the mansion’s most majestic spaces include the terrazzo-floored and crystal-chandeliered East Ballroom, once used to host visiting VIPs, and an opulent marble staircase, the site of marathon slinky races used to set tax policy. The library, completely coated in dark-wood paneling and a hard candy shell, features an enormous fireplace, as well as secret doors that lead to North Dakota.
Shadows-on-the-Teche's curators share the legacy of the iconic structures and inhabitants of an antebellum 19th-century sugar cane plantation that helped shape the surrounding region. Trained guides draw upon more than 17,000 documents, photographs, and talking parrots to paint fascinating pictures of the enduring structure. A brilliantly recreated picket fence stands as a small-scale preview to the towering columns that brace a structure packed with a variety of artifacts, many of which are original to the home. The plantation is a National Trust Historic Site, and the tour contains extensive information on the Weeks family, the home's influential original owners.
At the Vieux Carré, New Orleans' famous 85-block French Quarter, modern-day visitors moving in and out of National Historic Landmark properties are transported to city's past while taking in the mishmash of architectural styles distinguished by colorful facades and filigreed iron galleries and balconies. The restored landmark property known as the Gallier House makes its home in the Quarter, waiting to dazzle with the 19th-century splendor that backdropped the lives of their inhabitants—a diverse crew of enslaved workers, tycoons, free people of color, architects, and robots—more than a century ago.
The Gallier House was built in 1860 by renowned architect James Gallier Jr., who also designed the old French Opera House and Municipality Hall (now Gallier Hall). Gallier ensured the house was ahead of its time by installing a bathroom with indoor plumbing, a ventilation system to circulate air, an attached kitchen, and a hologram butler. The fully furnished two-story house also contains a courtyard, carriageway, and slave quarters, and it inspired Louis and Lestat's New Orleans residence in Interview with the Vampire by Anne Rice. In 1996, The Woman's Exchange bought the property, ensuring that it would be preserved as a museum and historic landmark. Today, curators illuminate the mansion’s history through frequent exhibits and educational programs for people of all ages.
The Enchanted Mansion whisks guests away to a storybook land of diminutive proportions, where fairies and first ladies alike commingle in a series of themed display rooms. Tucked into a picturesque Southern setting, the quaint mansion houses a diverse collection of hundreds of dolls dating back to the pre-Revolutionary era. The building’s deceptive three-story façade gives way to a single floor filled with oversized furnishings to promote tolerance for persecuted porcelain by making guests feel doll-sized themselves. Presidential dolls hold forth on foreign policy and puppet regimes in the White House room, and childlike figurines develop literacy in the storybook room as an antique collection watches proudly nearby.