The museum is currently featuring the work of contemporary American artist Lesley Dill in the I Heard a Voice exhibit, which will run through January 23. An English major turned artist, Dill's artistic vision stems from her love of Emily Dickinson's poetry, her travels in India, and her interest in Buddhism—in this exhibition, she uses bronze work, photography, poetry, thread, wire, and paper to sculpt figures and build tapestries. Dill's 34 pieces provide a visual accompaniment to poetic texts by Dickinson, Franz Kafka, Salvador Espriu, and more. We are Animals of Language, a documentary created by Dill's husband, is also showing in the gallery to provide insights into the creation, background, and meaning of Dill's intriguing pieces, while providing a guide to speaking in dolphins’ native tongue. See the website for a list of regular museum and holiday hours.
Though built in 1893 to manufacture textiles, the Columbia Mills’ storied stone halls now weave tapestries of knowledge with exhibits on everything from lasers and space travel to South Carolina's role in the Civil War. Boasting accolades by Columbia Metropolitan magazine and the Smithsonian, South Carolina State Museum devotes each of its four floors and part of its fourth dimension to art, cultural history, natural history, and science and technology represented by more than 70,000 artifacts.
Through a series of permanent exhibits, curators lead visitors on a cultural and geological voyage. Guests stroll through years of traditional and contemporary art by state artists, marvel at a 43-foot white shark display and full dinosaur skeletons, or cast imaginations back in exhibits on turn-of-the-century transportation, laser technology, and aviation. The museum also excavates the surrounding landscape to present 14,000 years of local culture in Native American tools and colonial-era lifestyle items.
Five galleries also house changing exhibits and have previously featured artifacts from such entities as the Titanic, Civil War–era Charleston, or the 300 years of American-made telescopes, with each carefully monitored to ensure they contained just the right amount of science. While museum staffers frequently rotate their exhibits, they also host traveling displays and send others on the road through the Traveling Exhibits Program. Various education displays such as interactive children's labs, living-history reenactments, and lectures from visiting scholars further enrich all-ages visitors.
When visitors step into one of the South's largest children's museums, there's one thought that commonly crosses their minds: That's a big kid. Waiting to greet them is a 40-foot-tall statue of EDDIE, a reinforced, molded-plastic boy who weighs 17.6 tons and—like almost everything at EdVenture Children's Museum—is ready for kids to explore. After they've climbed inside his heart, up to his brain, and slid down his intestines—all while learning about their own bodies—kids race to explore the rest of the museum's more than 350 hands-on activities contained within nine exhibit galleries. As a testament to its attractions, EdVenture Children's Museum received the 2011 National Medal for Museum and Library Service, an honor given to only 10 libraries and museums in the nation.
Past Eddie, EdVenture’s permanent exhibits include the World of Work, where kids climb aboard a John Deere tractor, take the helm of a 24-foot fire truck, and learn the value of money by spending Eddie Bucks on groceries or flooding the market to undermine the local economy. At the Aha Factory, wee ones recycle everyday items into paper snowflakes, pipe-cleaner butterflies, and glitter-encrusted egg cartons. Children 3 and younger, meanwhile, can explore the My Backyard exhibit, an age-appropriate haven of soft surfaces.
Built in 1772, the Laurence Corley Log House is Lexington's oldest documented abode. It's a logical starting point for visits to Lexington County Museum, a seven-acre village of 36 historic structures that recreate Lexington life from 1770 until the Civil War.
Those buildings include the original Lexington County post office and the Hazelius House, where Charlie D. Tillman composed "Give Me That Old Time Religion." The first Lexington County building included on the National Register of Historic Places, the John Fox House is even outfitted with furnishings the family would have used, such as a pine lazy susan and a mahogany Xbox. Other structures likewise stock authentic 19th century artifacts, such as textiles, pottery, and weapons.
While the exhibited buildings grant a visual glimpse into the past, 13 hands-on activities immerse kids in authentic 19th century experiences. Youngsters can weave on individual lap looms inside the loom house, play with replica toys from the 1800s, or churn butter in the Fox house yard. In the one-room schoolhouse, schoolmasters in period dress teach full lessons to children who must jot down notes with quill pens.
The Lucy Craft Laney Museum of Black History is a House-Museum, and is alive with activities that represent what Lucy Craft Laney lived and worked for in the Augusta area. In addition to exhibitions and lectures, the museum provides arts, history, preservation programs and storytelling activities.
With art degrees from the University of South Carolina, Tom Lockart and Mark Woodham teamed up to found One Eared Cow Glass, a glass-working studio and gallery. The duo started out in a rent-free Bishopville barn, according to Columbia Living, and named their enterprise after a carved wooden cow’s head that was nailed to the door. Much like Mike Tyson’s teddy bear, the cow had only one ear.
Today, at their studio location in downtown Columbia, Lockart and Woodham host live demos throughout the week. During these demos, the pair shape molten glass—which can heat up to 2,300 degrees Fahrenheit—into the translucent artwork that lines their gallery’s shelves. Their work ranges from vases to birdfeeders, though they specialize in indoor and outdoor light fixtures.