Nearly a century ago, the Hippodrome opened as a combination movie palace and vaudeville theater, spending more than 70 years hosting big names such as Bob Hope and Frank Sinatra. Following a double-decade period of slow business and bad hairstyles, the Hippodrome closed down in 1990. Now, however, after an exhaustive restoration project that reanimated the theater’s chandelier-lit arches, the mural above the proscenium stage, and the grand-theater boxes that hearken back to opera’s heyday, the Hippodrome reopens to the delight of Baltimore’s cultural landscape.
Fire for expression, earth for physicality, air for focus, and water for freedom: when Mike Gosney and Joseph Caruana founded Elements Contemporary Ballet in 2005, they drew on these four themes as inspiration for their original modern choreography. This artistic alchemy became the basis for Elements’ annual season at the Athenaeum Theatre, whose century-old confines provide an elegant contrast to the newfangled footwork on display. In its pursuit of uniquely graceful expression, the company has partnered with choreographers from such respected companies as the Houston Ballet, Hubbard Street Dance Chicago, and BJM Danse.
In a two-performance exhibition of sweeping set pieces geared toward enchanting children and adults alike, Salt Creek Ballet presents selections from The Sleeping Beauty with special visits from characters such as Little Red Riding Hood and Puss 'n Boots. The folkloric superstars are attending the wedding of Princess Aurora, who has just emerged from her bed after years of attempting to follow up Pet Sounds. For these evenings of fantasy, the company does a pas de deux with guest artists Maria Mosina and Alexei Tyukov, principals of the Colorado Ballet. An all-ages academy of kinetics since 1985, Salt Creek Ballet's alums have gone on to grace the stages of the Joffrey Ballet, Boston Ballet, Nevada Ballet Theatre, Radio City Music Hall, and Cirque du Soleil.
Hailed as America's Company of Firsts, the world-renowned Joffrey Ballet has been blazing an artistic trail through media stereotypes since 1956 to redefine the global view of ballet. Through its maiden voyages as the first dance company to perform at the White House and on television, appear on the cover of Time, and commission a rock 'n' roll ballet, the Joffrey's artistically dynamic works have inspired a broad audience and a major motion picture. Its troupe of classically trained, world-class dancers oozes grace as they execute a diverse repertoire of classical masterpieces and cutting-edge performances. The company's annual Nutcracker performances have garnered global acclaim, and it attracts a wide audience in Chicago and around the world during national and international tours.
The Joffrey Ballet also bolsters the Windy City's arts education and dance training through the Joffrey Academy of Dance and community-engagement programs. The Chicago Philharmonic serves as the Joffrey’s official orchestra, bringing its diverse and innovative musical talent to the company's performances.
Originally opened in 1927, the Genesee Theatre closed in 1989 and reopened its doors in 2001 after city funds helped 120 volunteers to restore the theater to its Gilded Age splendor. Its elegant trappings include authentic wall fabrics, an exact replica of the original marquee. But its most notable feature is the 2,200-pound chandelier, which gently spotlights the grand lobby and every audience member passing underneath to show how everyone is a star if you really think about it.