All veterans of the entertainment industry, the instructors at Ovation School for the Performing Arts don't believe in just instilling acting, singing, or dancing skills into their students. Instead, they impart all three, turning students of all skill levels into triple threats of stage and screen. Designed for kids and teens aged 5–18, the nonprofit's twice-weekly sessions are divided into 45-minute blocks whose subjects include acting, singing, and dance styles such as hip-hop and tap. Ovation also hosts private lessons focused on voice, piano, and guitar.
For more than a quarter century, Robyn Melanson has developed a thorough knowledge of the dance community as a performer, instructor, choreographer, and coach. As the founder and director of Stage One Dance Studio, she and her staff of dance instructors teach clients the art of kinetic expression in styles as varied as jazz, ballet, and tap. The premises feature three studios, each equipped with raised hard-rock maple floors, where students ages 3-17 hone their skills.
Staff Size: 2–10 people
Average Duration of Services: 30–60 minutes
When and how did you first develop a passion for your work?
It all started 49 years ago when the owner, Janet “Alohi” Lamb, decided to follow her dreams of opening a Polynesian dance studio. Since then, her family has handed down this dance tradition from generation to generation. More recently, we've branched out into other genres, such as ballet, hip hop, and jazz.
The Tony Award–winning musical Evita, by esteemed writers Tim Rice and Andrew Lloyd Webber, charts the rise of the world's first political celebrity, Argentine first lady Eva Perón. Peppered with familiar personages such as Che Guevara, nail- and toe-biting political maneuvers, and immaculate six-part harmonies, Evita reaches even the iciest heart with the fire of its emotional exuberance. Allow eager eardrums to savor the dulcet tones of the score, headlined by the famous “Don't Cry for Me Argentina.” In the intimate environs of the Lewis Family Playhouse, peepers can pick out every detail of the stage's goings-on, from artfully rendered emotion to the tragic parting of lovelorn curtains for the entirety of the play.
Featured by the Los Angeles Times, Battle of the Dance weaves Spanish flamenco, Irish celtic, Bollywood, and American pop into a cross-cultural spectacle of musical storytelling. Battle of the Dance begins with the tale of Spanish sailors, shipwrecked off the coast of Ireland, who fear some of their most honored traditions—namely, latin dance and not getting shipwrecked—are in danger of being compromised. What ensues is a visual fever dream of choreographed capering. After the hoofers have it out, the narrative gives way to a ventriloquist act, followed by internationally renowned acrobats, The Peres Brothers, who bring their show to the Anaheim stage.
A Broadway-style extravaganza set aboard a replicated 18th-century Spanish galleon, Pirate's Dinner Adventure is one of the only theater performances to require a 250,000-gallon water tank outside of Andrew Lloyd Webber's Manatees. While the dastardly Captain Sebastian the Black lords over his feasting crew of rapscallions, guests get to dine from the deck of one of the six ships surrounding the galleon—and cheer on the plucky pirate representing their vessel in the show. What unfolds is a swashbuckling spectacle of stunts, songs, magic, and acrobatics punctuated with as many fired cannons as belly laughs. Pirates dangle precariously from silk off the 40-foot mast. Treasure chests overflow with booty. Heroes rise from the ranks—and select members of the audience might even be invited by Captain Sebastian to come aboard the stage.