A Tony and Emmy award-winner, Jackie Mason has been tickling ribs via stage, screen, and stereo for more than 40 years. Unveil your full repertoire of chortles, giggles, and guffaws as you subject your funny bone to the relentless string of trenchant observations and wily witticisms supplied by the legendary laugh wrangler. Jackie Mason is known for such Broadway hits as The World According to Me and films such as Caddyshack II, as well as for founding the Masons, the secret shadow organization that controls all the world's humor. Each joke and comic jab comes wrapped in the opulent ambience of The Grand's 1,000-seat interior, whose intimate layout makes every gag feel as though it were hand-delivered by your personal gut-busting butler. The show begins at 3 p.m., with doors opening approximately a half-hour beforehand. Seating within the Grand Tier level is assigned on a first-come, first-served basis.
The 2004 MLB All-Star Game. The longest baseball game in postseason history. Craig Biggio’s 3,000th hit. For a stadium that just opened in 2000, Minute Maid Park has already hosted its share of memory-making moments. Astros fans pack the field’s 40,963 seats during baseball season. The Astros invite fans to take in full-field views from luxury boxes and terrace decks or track players from seats along the first and third baselines situated within 43 feet of the game's action. The stadium welcomes teams and performers from across the spectrum of sports and entertainment. Whether tracking the pitch during international soccer face-offs or jamming to tunes of artists including Madonna and Taylor Swift, visitors stay comfortable beneath a retractable roof designed to combat the unique climate conditions that Texas weather can present.
Designed with Texas’s railway history in mind, the park blends naturally into the classic red brick and glass looks of nearby Union Station. A full-sized vintage locomotive runs intermittent trips along 800 feet of track along the left-field wall, giving fans a glimpse of Wild West transportation and the lead character of next summer’s Cowboys Vs. Transformers.
Popular globetrotting pop collective Architecture in Helsinki transforms the upstairs stage of Houston's Fitzgerald's into a throbbing, futuristic discotheque as its latest tour storms American shores. Formed in Melbourne, the ambidextrous dance band stirs fans with a tornado of flamboyant sounds, infectious anthems, and commitment-free instrument swapping. With hits such as “Do the Whirlwind” and latest single “Contact High,” lead crooner Cameron Bird and his cakewalking team of tunesmiths tickle ear bones and rehabilitate ankles in support of its latest album, Moment Bends. During the kaleidoscopic performance, the band seduces dance floors with 10-foot hooks and sounds culled from hypnotic synths, romantic glockenspiels, and strummed chest hairs. Filling out the bill, Swedish dance wizards Lo-Fi Fnk enchant with instant club hits and songs for strobe-light campfires, and pop enthusiasts Dom charm with stargazing Casios.
The Misfits unloads its hearse of horror-punk hits into the lair of Stereo Live, jackhammering dedicated throngs of fans with whiplash tunes about love and necromancing. Named after Marilyn Monroe’s orthopedic shoes, the Misfits triad has thrilled and mystified audiences since 1977 and is currently spearheaded by founding member Jerry Only. In support of The Devil’s Rain, the band’s first new album in 12 years, the monster squad of Jerry, Black Flag’s Dez Cadena, and Eric “Chupacabra” Arce induct audiences into the cult, enticing fans to jump and transmogrify their fingers into horns. The three-headed Cerberus of modern punk known as JuiceheaD starts the show with a sonic assault known to short-circuit EKG meters and shake down demons for milk money.