What makes your business stand out?
The Battleship Texas is located next to the San Jacinto Battleground, so visitors get an opportunity to experience two great historical sites in one location. Have a picnic under wonderful trees. Bring your camera and capture some great photographs.
What inspired you (or the owner) to start or run this business?
The Battleship Texas is the last remaining U.S. ship to serve in both WWI and WWII. It is also the last of the Dreadnought-style ships. We work hard to maintain her, and nothing makes us happier than when people come to visit The Might T.
What is your most popular offering?
Our Hard Hat Tours are offered five times each year. They occur in January, March, May, October, and November. You can make a reservation on on our website. We also offer an Overnight Education Program and we have hosted 40,000 children at our overnight camp.
Anything else you want to add that we didn't cover?
Visitors of all ages have visited The Texas since 1948 and continue to do so. Come walk the same decks where the heroes of yesterday answered our nation's call to protect America.
What is the best reaction you’ve ever gotten from a customer?
Visiting [The] Texas can be deeply moving for many people. It is also highly educational for visitors of all ages. In 1914, The Texas was considered the most powerful weapon on the planet. To walk her decks provides memories for years to come.
What’s your favorite part about your job?
Meeting visitors and having the opportunity to see their reactions to the experience of being on The Might T.
Established: Before 1950
Handicap Accessible: No
Staff Size: 25–50
Parking: Parking lot
Reservations/Appointments: Not necessary
Most popular offering: Tour the Last Dreadnought—100 years old
Pro Tip: Bring a camera. The Texas is located next to The San Jacinto Monument and Battleground.
Feet patter across three information-packed floors stacked inside the Ocean Star, a former drilling rig that spends its retirement as a museum and education center on Galveston's Pier 19. After two decades drilling in the Gulf of Mexico, the rig has since been revamped and outfitted with interactive models and displays that illustrate the story of offshore oil, gas, and the energies that lurk beneath the world's oceans. Visitors can tap into videos for explanations of drilling, geology, and seismic topics, or stand next to scale models of production platforms. In addition to its lineup of eye-popping sites, Ocean Star Offshore Drilling Rig Museum and Education Center harbors ongoing exhibits showcasing the industry's careers, history, and safety measures. Self-guided tours seven days a week enable guests to explore the rig's nooks at their own pace, while an onboard staff stands by to answer questions and courteously laugh at all petroleum-related knock-knock jokes.
Jutting above the street, the modernist lines of Rafael Moneo's Audrey Jones Beck Building echo the eclectic collection found within. Under sky openings that let in natural light and the bitter gazes of pigeons who can’t seem to get their work shown, visitors meander through galleries that span the breadth of human artistry, from ancient sculpture to modern painting. Noteworthy works from the more than 64,000 pieces include Pablo Picasso's colorful cubist Two Women in Front of a Window, Edgar Degas's achingly expressionistic Woman Drying Herself, and an untitled sketch by Jackson Pollock that shows his wild, abstract genius evolving toward his celebrated drip paintings. A treasure trove of cultural artifacts from Africa, Asia, and the Americas expands the museum’s scope and transports visitors back in time as they gaze on a palpably pensive ceramic ballplayer from Mexico's Classic Veracruz culture or a life-size royal head forged from copper for a Nigerian royal court.
**Groupon Celebrates Pride Month** Over the last 50 years, the gay-rights movement in America has overcome tremendous obstacles to become a powerful voice for inclusion and diversity. Even as it has grown, the movement—like Groupon—is local at heart, and we applaud the commitment to real change that improves everyday lives. At Groupon, we are happy to add our voices to those celebrating PRIDE, their achievements as a social movement and a continued march to equality for the LGBT community. Plus, we love a chance to dig that rainbow wig out of storage. This month—and throughout the year—we salute our merchants and customers who support PRIDE and all efforts that promote dignity, respect, and equal opportunity. We're highlighting these merchants' deals with a special badge to show Groupon's pride in working with people who share our values.
While many children learn by performing hands-on tasks, school systems have yet to figure out how to incorporate gardens, imagination workshops, and towering aqueduct mazes into their budgets. With 90,000 square feet of hands-on exhibits, the Children's Museum of Houston sparks creativity by allowing kids to explore 14 learning stations. Named one of the 12 best children's museums in the country according to Forbes.com, ranked No. 1 among the 10 best children's museums in the nation by Parents magazine, and voted Best Museum 2012 and 2013 by the Houston A-List Poll; Children's Museum of Houston encourages children to explore their curious nature with a variety of interactive exhibits. Exhibits include the interactive EcoStation, a solar-powered outdoor utopia with activities such as stream creation and leaf rubbing that inspire kids to think about environmental responsibility. At the Invention Convention workshop, kids can explore engineering possibilities with building blocks, propellers, and even basic robotics. The sprawling cityscape of Kidtropolis invites children to participate in a simulated economy. The experience requires them to earn paychecks, budget money on pretend debit cards, vote for political candidates, and learn how to obsessively check milk expiration dates at the onsite grocery store.
Designed by award-winning architect Gunnar Birkerts, the Contemporary Arts Museum Houston's stainless steel building safeguards a multitude of work designed to intellectual engage viewers and invoke complex reactions. The museum's two galleries, the Brown Foundation Gallery and the Zilkha Gallery, collectively host 8?10 free exhibitions every year.
The Brown Foundation spotlights work by internationally renowned artists and pieces organized around themes; past exhibits include a Kiki Smith survey and a showcase of performance art by black artists. The Zilkha, meanwhile, hosts the museum's Perspective Series, which gathers the work of emerging artists. The museum's Teen Council curates a biyearly edition of Perspectives, unveiling work by young, Houston-area artists that mine for deeper feelings than the normal teenage angst toward parents, teachers, and singing animatronic bears. The Teen Council also contributes to the museum's numerous programs, which include lectures and discussions for each show, as well as Musiqa concerts based on each Brown Foundation Gallery exhibition.
After retiring from his upholstering job at the Southern Pacific Railroad, John Milkovisch spent his free time building structures around his house and drinking beers with his wife Mary. But when he ran out of space for building, he decided to use up his extra beer cans to create a shiny siding for his structures and his house. He began in 1968, and within 20 years he had completely covered his property with an estimated 50,000 aluminum and glass cans. The result was both fashionable and functional, with swaying garlands tinkling in the breeze, strings of cans adding a luster to all surfaces of the house, and the protective weight of the cans even helping cut the house’s energy costs. But you can’t have a house this striking and not get noticed. So pretty soon people began making trips to see this can-covered house, and in 2007, it was moved into the Orange Show Center for Visionary Art. Now guests can peer inside the house and examine the structures without getting chased by the owner's beer can-covered dog. The house’s guided tours also feature a documentary that covers the history of the project since its inception forty years ago.