East County Performing Arts Center's university-trained educators mentor students ages 2 and up on the finer points of ballet, hip-hop, jazz, and other styles. Two- and 3-year-olds can combat the antidancing establishment during a 45-minute Boogie Babies class, combining elements of tap, ballet, tumbling, and play. Parents or visiting dignitaries can wave to young ones through either location's viewing window, putting anxieties at ease while muffling the sounds of spectator bullhorns. Older toe tappers can explore a variety of styles, including hip-hop, contemporary, or jazz, in which students will master choreography and traverse the floor through movement progressions. Groupon holders can experience the thrill of synchronized motion without trying to keep up with a flock of migrating birds during a Dance for Cheer class, which incorporates jazz, hip-hop, and poms.
With a history stretching back more than 40 years, Circus Vargas wows audiences with dazzling acrobatics and rib-tickling clowns under a giant big-top tent. The show eschews animal performers for human-costumed spectacles, showcasing dazzling feats that only a few dexterous humans and short-circuited cyborgs are capable of. The circus's big top, hand-fashioned in Milan from 90,000 square feet of fabric, holds up to 1,500 show-goers in classic, blue-dyed elegance. Early-arriving guests can take part in an interactive preshow, jumping in the ring with ringmaster Jon Weiss as he leads audience members through tutorials that show how to perform stunts such as juggling, feather balancing, and balancing checkbooks with quill pens.
Crunching metal and the sweet smell of burning rubber prevail as the Monster X Tour invades the Ocean Center, thrilling all ages in an action-packed motorsports showcase. Bigfoot, the forefather of all station-wagon smashers, leads a fleet of competitive 10,000-pound monster trucks, including Bear Foot and Black Knight, through jaw-dropping races, wheelie contests, and freestyle car composting. Transaurus, a two-story transforming robot that never learned to love, buries his woes by chomping entire cars in his massive jaws while watching reruns of Felicity. Before the show, VIP tickets also grant access to the Pit Party, where fans can have autographs signed by the drivers. During intermission, fans get the opportunity to eschew sea level with a ride inside a monster truck or visit General Lee from The Dukes of Hazzard and learn its true feelings about excessive hood sliding.
Founded in 1926, the Stockton Symphony has plucked at audience's heartstrings for the best part of a century. First on the evening's program is Mozart's overture to The Abduction from the Seraglio, a brisk curtain-raiser that combines lively percussion with swooping strings. Next up is the Symphony No. 38 in D Major, a work renowned both for its elegant restraint and its emotional appeal, much like a dolphin in an Abraham Lincoln costume. The finale, Mozart's Requiem, is universally considered one of essential works of classical music. For its performance, the Stockton Symphony welcomes to the stage the Stockton Chorale and soprano Anja Strauss, whom San Francisco Classical Voice has called, "explosive."
DriveTech Racing School's side-by-side ride-along package provides an authentic stock car experience to anyone nursing fantasies of bumping fenders with NASCAR's elite drivers. After climbing into the passenger seat of a NASCAR Sprint Cup–style racecar, an Open-Wheel NASCAR Whelen Modified Tour car, or a race-proven ASA late model, one of the DriveTech instructors will motor you around Tucson Raceway Park's 3/8-mile semi-banked oval. The side-by-side ride gives rubber-burners a chance to race another car, which comes within two feet of your rocket-powered buggy as you maneuver around tight corners, the mechanical snarl of your car's V8 engine rattling your innards as the swift movement of its asphalt-gripping Goodyear racing slicks keeps you just barely moored to earth. Though the experience will jar loose any coagulated adrenaline in your body, DriveTech has taken every safety precaution, outfitting you with steel cages on the car, a driving suit, a Simpson helmet, and lava-resistant water wings.
During a matinee performance in a historic concert hall, internationally acclaimed classical guitarist Francesco Buzzurro joins jazz guitarist Richard Smith to showcase the vast array of styles and sounds housed in the hollow of their instruments, plucking through Italian tarantellas, dramatic tango and flamenco numbers, and jazz pieces. The concert celebrates the duo's upcoming CD, Un Mondo, Due Chitarre, or One World, Two Guitars, which a JazzTimes article anticipates as a union of distinctive talents whose mutual love for the guitar and onstage rounds of patty-cake shines through in a diverse set of songs. On the album, the duo majestically soars through classical melodies as well as covers of rock tunes such as Stevie Wonder's Isn't She Lovely? and The Who's Pinball Wizard. Hosting the event, the Pacific Italian Alliance celebrates Italian culture, fosters society among local Italian-Americans, and secretly plans to build a bridge connecting Italy to the United States.