The Biggs Museum of American Art showcases late founder Sewell C. Biggs's impressive collection that focuses on the evolution of American and especially Mid-Atlantic art from the 18th century up to the present. Steal some time inside the museum's 18 intimate galleries and peruse the permanent collection’s early American furniture, regional silver, and sculptures needled by the famously opposable-thumbed Hiram Powers. Although admission is free, the Biggs Museum fills a bustling calendar with programs such as art classes and kids’ activities that members can enjoy at a discount, along with events such as the annual member appreciation breakfast. With a rotating cast of exhibitions, current offerings include the Award Winners XI exhibition running through October 23, 2011, which displays works by the Individual Artist fellows of the Delaware Division of the Arts. The upcoming Delaware By Hand: Masters Competition exhibition, on display from November 4, 2011 to February 19, 2012, features contemporary work chosen by a panel of judges and presented in tandem with an array of public programs, art sales, and grassroots movements to line public spaces with paint-spewing fire hydrants.
When Frank Wheaton, Jr. first visited the Corning Museum of Glass in the early 1960's, it caught his ire. On display were many marvelous works of glass—treasures forged of sand, wood, soda ash, and silica that represented the dawning of the American glass industry. Frank's problem? Those shiny, fragile masterpieces were being exhibited in New York and not where they were birthed: New Jersey.
As the grandson of glass magnate Dr. Theodore Corson Wheaton—whose glass pharmaceutical bottles were instrumental in giving rise to the Millville glass monarchy of Wheaton USA—Frank claimed his birthright and created the WheatonArts and Cultural Center. Sprawling across 65 wooded acres, WheatonArts features a fully functioning glass studio with daily demonstrations of glassblowing wizardry; artist studios where craftsmen branch out into pottery and woodworking. The jewel of the WheatonArts retreat, and the fulfillment of Frank Wheaton's dream to usurp New York, is the [Museum of American Glass(http://www.wheatonarts.org/museumamericanglass). The magnum opus of luminescence charters the history of the medium from its brittle infancy to its latest mutations. The circulating collection typically includes up to 7,000 objects, ranging from early American bottles and mason jars, clever Art Nouveau creations, and stunning works from Dale Chihuly and other contemporary glass-working artists.
Ultrazone Laser Tag might be familiar to fans of The Real World, whose cast members—fed up with drama—blew off steam by ducking colorful laser beams in the sprawling multilevel arena's fog-filled maze. There's enough space for 45 vest-clad players to face off at one time, and plasma monitors let the next wave watch the game as they eagerly await their turn. The expansive recreation center also hosts sleepover parties that grant exclusive overnight use of the laser-tag facilities, the plasma-screen theater, and the room that's inexplicably full of doorknobs. Outside the arena, an arcade keeps synapses ablaze with video games, air hockey, and golf simulators, supplemented with slices of Papa John's pizza from the cafe.
Committing their enterprise to eco-friendly tourism, the women at SegZone Tours guide visitors through the historic streets of Annapolis, along the city waterways of Dover, and around the track at Dover International Speedway—all aboard segways. For groups or private parties, tour leaders can also focus excursions on local gardens, architecture, and wildlife in areas often unreachable by car or paraglider. They also guide themed seasonal tours, such as rides along haunted-house routes or past holiday-light displays. With an eye toward safety, staff members always provide thorough instruction on riding before tours or rentals, though they often give customers license to race or argue over whose segway would look better with flames painted on the side. When not leading guided excursions for customers or school groups, the team organizes corporate team-building events as well as indoor obstacle courses for recreation.
The film festival, which begins on January 4th, features seven eye-smacking films shown on a full-size, five-story IMAX screen. The fest lasts for nine weeks, and there's no need to purchase Science Center admission ticket to attend any of the showings. Film choices include movies like Hurricane on the Bayou, a stirring documentary narrated by Meryl Streep that taps deep into the musical soul of the Big Easy before, during, and after the devastation wrought by Hurricane Katrina. Volcanoes of the Deep Sea brings viewers 12,000 feet into the depths of the deep Atlantic wherescientists aboard a submersible explore the alien creatures, landscapes, and fast food franchises of earth's ocean floor. Other larger-than-life flicks include Michael Jordon to the Max, Greatest Places, Survival Island, and Extreme, which follows adventure-seeking athletes as they challenge some of the most intense forces of nature to a game of foosball. Music fans can nod their heads to U2 3D, a front stage pass to U2's worldwide Vertigo tour, filmed during the band's stop in South America. For a full description of films on the docket, visit the festival's website.
Presidential dentures, a kid-sized dental chair, and interactive brushing instruction are some of the permanent exhibits spanning the space's two floors. The museum also boasts a life-size narwhal model, an exposé on saliva, and a celebration of our country's best dental schools. This upcoming season, stop in to pay homage to the tooth fairy for Tooth Fairy Day, or get a mouthful of mammals on Jaws and Paws Day. View a listing of upcoming events here. Take the whole family (admission for children ages 3–18 is $3, and those less than 2 are free), bring a bad-breathed date for a tutorial on mouth management, or instill yourself with a new sense of appreciation for the dentist.
Recently featured in the Washington Times, Gertrude's is a salt-stained bastion of coastal cuisine, with a menu chock-full of Chesapeake classics. Chef and owner John Shields, a nationally acclaimed coastal-fare innovator, author, and crab whisperer, named the restaurant for his grandmother, Gertrude Cleary. Grandma Gertrude's traditional Baltimore crab cake recipe lives on at her namesake restaurant with a dinner order of Gertie's crab cakes ($20), which arrives dressed with a choice of eight sauces, including the Creole or three-mustard. It's served with a choice of sides such as apple and fennel coleslaw, hush puppies, or grilled rosemary potatoes. Other maritime entrees, such as the citrus barbecue shrimp ($24) and the Chesapeake rockfish imperial ($30), recognize each other from the Shark Week extras' green room and happily provide diners fishing for Bay fare authenticity with transcendent catches for immediate consumption. Also available are Gertie's seafood Creole ($24) and locally raised beef burgers ($10).