When Frank Wheaton Jr. first visited the Corning Museum of Glass in the early 1960s, it caught his ire. On display were many marvelous works of glass?treasures forged of sand, wood, soda ash, and silica that represented the dawning of the American glass industry. Frank's problem? Those shiny, fragile masterpieces were being exhibited in New York and not where they were birthed: New Jersey.
As the grandson of glass magnate Dr. Theodore Corson Wheaton?whose glass pharmaceutical bottles were instrumental in giving rise to the Millville glass monarchy of the Wheaton company?Frank claimed his birthright and created Wheaton Village now known as Wheaton Arts and Cultural Center. The organization has a mission to engage artists and audiences in an evolving exploration of creativity, and has appealed to audiences of all ages for over four decades with its diverse traditional and contemporary arts programs, classes, workshops and exhibitions. Also on-site is The Museum of American Glass, housing one of the most comprehensive collections of American glass in the country, from the first glass bottles made in America, to celebrated works by Dale Chihuly and other contemporary artists who work with glass. Visitors can also experience the art of glassmaking, ceramics and flameworking in the Artists Studios, and the museum stores offer traditional and contemporary art in a variety of mediums.
The Chesapeake Bay Maritime Museum is a non-profit organization dedicated to sharing the stories of the Chesapeake Bay and the people who have shaped their lives around it. With 18 waterfront acres in the historic town of St. Michaels, the Museum offers exhibits, boat rides, festivals and more.
Howard Pyle's unexpected death in 1912 brought a group of artists, entrepreneurs, and businessmen together to grieve their friend. They couldn't let the artist's passion for teaching and illustration disappear as quickly as he had; so, they decided to form the Wilmington Society of Fine Arts with the sole purpose of preserving his legacy. They gathered funds from locals who felt just as strongly as they did?family members, friends, students, fans?and purchased approximately 100 pieces of his artwork.
Little did they know that, with these 100 pieces, they were starting something greater than a memorial for a good friend. The Wilmington Society of Fine Arts would, over time, add more and more artwork to its collection, growing into an 80,000-square-foot space and out of its original name. The Delaware Art Museum, as its called today, now counts more than 12,000 works of art as part of its collection. Permanent features showcase British pre-Raphaelites, the urban landscapes of John Sloan, modern American art, and, of course, Howard Pyle. The masterpieces don't stop when visitors venture outside?the Copeland Sculpture Garden adorns its lush natural scenery with nine works from the museum's permanent collection, along with a massive outdoor labyrinth.
Nestled inside a former railroad-car factory, the Delaware Center for the Contemporary Arts took shape in 1979, led by a small group of artists and art patrons. The DCCA moved to a permanent location in 2000—one with 35,000 square feet of space, seven galleries, and individual studios for 26 artists—but still clings to its original mission of building public appreciation for contemporary art through exhibitions and educational programs.
Although the center is a noncollecting museum, it does feature roughly 30 exhibits each year from regional, national, and international artists. These shifting collections explore relevant societal themes such as the public obsession with celebrity, the flippant nature of consumerism, and the effects urban metropolises have on how humans relate to nature and each other. The exhibits can use any variety of media, and the studio artists embrace this same freedom by using everything from paints to video in their works.
To engage visitors outside the gallery spaces, the DCCA hosts educational programs for adults as well as exploratory classes for children, which help wee ones create their own relevant, meaningful pieces. Tours allow groups to learn more about the exhibits while an informed guide tries to recite every single anagram of Delaware.
Ultrazone Laser Tag might be familiar to fans of The Real World, whose cast members?fed up with drama?blew off steam by ducking colorful laser beams in the sprawling multilevel arena's fog-filled maze. There's enough space for 45 vest-clad players to face off at one time, and plasma monitors let the next wave watch the game as they eagerly await their turn. The expansive recreation center also hosts sleepover parties that grant exclusive overnight use of the laser-tag facilities, the plasma-screen theater, and the room that's inexplicably full of doorknobs. Outside the arena, an arcade keeps synapses ablaze with video games, air hockey, and golf simulators, supplemented with slices of Papa John's pizza from the cafe.
Committing their enterprise to eco-friendly tourism, the women at SegZone Tours guide visitors through the historic streets of Annapolis, along the city waterways of Dover, and around the track at Dover International Speedway—all aboard segways. For groups or private parties, tour leaders can also focus excursions on local gardens, architecture, and wildlife in areas often unreachable by car or paraglider. They also guide themed seasonal tours, such as rides along haunted-house routes or past holiday-light displays. With an eye toward safety, staff members always provide thorough instruction on riding before tours or rentals, though they often give customers license to race or argue over whose segway would look better with flames painted on the side. When not leading guided excursions for customers or school groups, the team organizes corporate team-building events as well as indoor obstacle courses for recreation.