Awarded Best Movie Night by Philadelphia magazine in 2011, Cinema 16:9 projects theatrical run movies along with independent, foreign, and classic films in surround sound and full HD projection. Comprising two screens and 100 comfortable stadium-style seats, the theater also welcomes visitors to BYOB while catching a flick.
With a passion for historic movie theaters—and a simultaneous disappointment with the unoriginality of major multiplexes—founder David Titus has created a modern moviegoing experience that maintains the uniqueness and charm of Golden Age movie theaters. Along with an eclectic list of screenings, the theater features creative programming such as Terrible Tuesday, during which audiences mock terrible films; 8-Bit Warrior Wednesday, at which attendees play classic NES and SuperNES games on the big screen; and Dinner and a Movie, which includes discounted movie tickets and discounted meals at great local restaurants.
For those who like to watch movies at home, the theater’s movie-rental program features more than 3,000 titles on DVD and Blu-ray. All-out cinephiles can benefit from the theater’s membership program, which offers plans with unlimited movie tickets and rentals. The theater also hosts private movie screenings for birthday parties and challenging knitting parties and boasts a full concession stand that doles out organic and local foodstuffs in eco-friendly containers.
An elegant fusion of Old-World, small-town charm and state-of-the-art technology, Reel Cinemas theaters allow moviegoers to see box-office hits from the comfort of renovated, stadium-style seats. Many of its screens live in updated and renovated old-school theaters, giving the viewing experience a dash of class. The digital projection and sound are decidedly modern, as is a 3D system that makes films more lifelike than the sweating statues of a balmy wax museum. Moviegoers can stop by locations in Narbeth, Bala Cynwyd, and Wayne.
Talk Cinema offers an industry-insider peek of upcoming foreign and independent pictures, all curated by longtime film critic Harlan Jacobson. Guests receive the indiscreet honor of previewing the freshest films, followed by a discussion led by a guest speaker who might be a notable critic, a filmmaker, or an artisanal popcorn chef. Attendees have no prior knowledge of the day's screening, giving viewers a roulette of genres to experience, including psychological thrillers, romantic dramas, and heart-warming documentaries on the evolution of ice-cube trays. All shows start on Sundays at 10 a.m., with doors opening at 9:30 a.m.
The second annual Philly F/M Festival culls hordes of independent films and live music, emphasizing the interplay of the two media. Thursday night hosts the event's kick-off party as Philadelphia Slick douses the crowd with waves of toe-tapping beats and games of Simon Says. The neighborhood's lights dim on Friday as the film screenings begin at 7 p.m. with Sound It Out, a phonetically precise documentary that chronicles the last vinyl record shop in Teesside, England. Meet Me on South Street, The Story of JC Dobbs (September 24 at 6:30 p.m.) delves into Philadelphia's artistic subculture and underground crocheting scene from the 1970s to 1996 through the lens of one of its signature and now defunct musical establishments.
Written by Richard Greenberg, Take Me Out centers on Darren Lemmings, an arrogant superstar on the New York Empires whose coming out of the closet irrevocably alters the national pastime. Amid the anger of deeply racist and homophobic teammate Shane Mungitt, the admiration of gay financial manager Mason Marzac, and the reactions of other players in the locker room, the only person who seems unaffected by the revelation is Darren himself. Watch the drama swirl around the ego-ridden protagonist both on and off the field, but always on the stage, at the Plays & Players performance of your choice.
The building that would eventually become Merriam Theater opened as the Sam S. Shubert Theater in 1918, honoring the famous, theater-owning Shubert family’s youngest member, who died tragically in a train accident a decade earlier. Following the fortunes of its fellow theaters, the Merriam's inaugural years saw success with toe-tapping Gershwin musicals and spine-tingling Shakespearean performances by John Barrymore. As vaudeville petered out and the country slid into a depression, the theater struggled to pay the bills through more tawdry means, hosting burlesque shows and letting patrons see the stage without its curtain. The University of Arts eventually bought the building in 1972, and restored the venue to its former glory as host to the country's finest performers.