The history of The Media Theatre for the Performing Arts is a continuously evolving non-profit professional theatre company.
The venue has been operating as a professional theatre since the year 1993 serving the Greater Philadelphia region. We remain today a Media landmark.
1908: a nickelodeon opens on South Street under the name the Crystal Palace
1927: the movie theater is converted into a concert hall
1941: the concert hall is converted into a movie theater
1959: director Andre Gregory founds an avant-garde performance group in the theater, and gives it a new name?the Theatre of the Living Arts
1960?1968: the troupe's critically acclaimed shows, including The Critic?and?Poor Bitos, feature such future legends as Danny DeVito, Judd Hirsch, and Morgan Freeman
1976: years after the performance group goes bankrupt, a newly opened movie theater realizes it can pay its rent with weekly screenings of?Rocky Horror Picture Show
1988: after one final transformation, the Theatre of the Living Arts becomes a live performance venue once again
2013: now exclusively a music stage, the theater earns a spot on Complex's list of America's 50 best concert venues
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats.
####Bethel Woods Center for the Arts
Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
On a scenic, Jack Nicklaus–designed golf course, 18 PGA TOUR elites will don their finest polos and drive, putter, and electric slide their way to the $5 million purse at the end of the rainbow. The Sherwood Country Club course incorporates a delicate blend of valleys, peaks, waterfalls, and fire pits to challenge a field that includes Tiger Woods, Jim Furyk, and Martin Kaymer. Check the schedule to plan your viewing blitzkrieg.
Deep within the Granite Run Mall, a 20-foot-long relative of the stegosaurus battles its nemesis, the monolophosaurus, while onlookers stand back, aghast and enthralled. What sounds like a deleted scene from Jurassic Park⎯a film series that proprietor "Dino" Don Lessem advised using his dino expertise⎯is really one of many sights to behold at the 6,500-square-foot Dino Don's Dinosaurium. Don harnesses his extensive expertise, which includes more than 50 books written on dinosaurs and natural history, to craft the family-friendly museum, which educates visitors through engaging, interactive exhibits. For his scholarly endeavors and incessant stalk-chewing habit, he even has an Argentine plant eater⎯the Lessemsaurus⎯named after him.
Museumgoers can excavate fossils from the dig pit, aim a nerf gun at Jurassic Park dinosaurs in the shooting gallery, or learn reasons for dino extinction by spinning the Wheel of Dinosaur Misfortune. Students and teachers can continue making dino discoveries by touching real fossils, meeting visiting paleontologists, and learning how to roar dinner orders. Unlike the extinct species that the museum celebrates, Don assured CBS Philly that Dino Don's Dinosaurium will supply guests with new experiences by changing exhibits every three months.
Najia has inspired audiences with her sensual Middle Eastern dance in Egypt and Jordan, as well as in restaurants, nightclubs, and Pearl Jam?s preshow. Building her diverse dancing resum?, she pilgrimages to the Middle East for two or three months each year to continue researching dances, garner inspiration for her Philadelphia Bellydance company, and make her passport more colorful. She calls upon all of her twirling know-how to lead series of four weekly classes, in which students learn to shimmy, hip drop, and send veils fluttering through the air or weave together basic moves for complex choreography. On the fifth week after class sessions, students meet for a confidence-inspiring Goddess Night that awakens inner beauty through dance workshops, vegan treats, and performances as guests mingle bedecked in veils, gems, and outer adornment.