Gory, brutal, and open only to adults, Chambers of Horror takes scaring to the extreme—so much so that HauntedAttraction.com made it #13 on its list of 25 Must See Haunts in 2010. A staff of mutilation professionals and special effects experts eschew childish zombies and goblins in favor of actual monsters: psychopathic doctors, lawyers, and congressmen willing to do unspeakable things to win your shrieked support on election day. Inside the torture chamber, grisly scenes and relentless assailants force visitors to grope through room after torment-riddled room, where they'll encounter horrors orchestrated by the insidious Herr Scudder, Lord Faust, and Lil Dahlia, the dismemberment queen.
Those in need of a little liquid courage before entering the darkness can swing by the open-air Splatter Bar and Lounge. Guests who become too scared to brave the chamber can also opt to stay at the bar, where horror movies, independent musicians, and sideshow performers drown out the faraway sound of a friend's terrified protestations that he is not really afraid.
Matt Janke dreamed of landing the perfect glass-blowing job. After moving to Atlanta in 1986, he realized there wasn't a single glass studio in town, granting his art a ready-made niche. After settling in, he returned to grad school, earning an MFA in glass with the intent to launch his own university program and ultimately procure his own space. By the time he graduated in 1992, Matt further honed his skills, stockpiled equipment, and, in 1996, opened his own studio and hired himself.
Beyond the perks of being his own boss, having his own studio affords Matt a great deal of creative freedom. He infuses all his handblown light fixtures, tumblers, and vases with the prismatic swirls of his signature style, in which precise lines and natural variations vie for attention across undulating surfaces. A downtown gallery space facilitates sales of these works.
But the studio has also fulfilled more than Matt's original goal of finding glass-blowing employment, going on to catalyze a glass-blowing community. From single apprentices in the early days, the studio is now a full-fledged classroom, with space for five instructors, a dozen students, and the kilns that must melt their glass until they each finish their training by capturing and taming a fire-breathing dragon.
Visiting The Museum of Contemporary Art of Georgia isn't just about seeing works that have already been deemed important. It's also about discovering what the future of art may look like. That's because the museum showcases the visual works of not only established artists, but also emerging talent throughout the state. By investing so heavily in Georgia's artistic community and making the museum's collections available to the general public, MOCA GA strives to preserve these artists' legacies for the viewing pleasure of present and future generations. The permanent collection currently features over 920 works by more than 250 different artists, including paintings, sculptures, photography, prints, and digital works from the mid 1940s to the present day.
MOCA GA's staff displays many of the pieces from the permanent collection alongside works by artists from around the world, demonstrating how Georgia's artistic community fits into a larger global context. The museum hosts rotating exhibitions throughout the year, and it encourages community engagement by regularly holding artist talks and other public programs.
Since 1990, Tuxedo Frame Gallery has specialized in encasing photos, keepsakes, and other miscellaneous items in high-quality custom frames. The designers help clients choose from thousands of frame styles, hundreds of mat colors, and a dozen types of glazing. Once the specifics are laid out, designers carefully oversee the framing project from start to finish, ensuring that framers maintain the company’s award-winning level of workmanship. Tuxedo Frame Gallery also specializes in conservation framing, which preserves mementos’ long-term value with deterioration-deterring features such as acid-free mats, UV-protective glazing, and frames embroidered with mummy wraps.