For more than 40 years, the professionally trained instructors at Celeste Dance Studio have helped students 12 and up learn to shuffle and twirl during ballroom-, Latin-, and contemporary-dance classes. Students land on their feet during tumbling classes, move to the beat during hip-hop sessions, and explore an ever-evolving art during modern-dance lessons. Ballet students don slippers and flutter through class with style and grace, while tap classes teach intrepid soft-shoers to communicate in Morse code. Specialized classes in ballet, tap, and acrobatics are also available for younger dancers ages two-and-a-half to six. Intricately choreographed dance routines are performed on stage at the studio's yearly recital. Check the schedule to see a full list of current class days and times.
At FieldCrest School of Performing Arts, students ascend through three levels of stardom?I'm a Star (for toddlers through preteens), Fashion Plate (for toddlers through preteens), and Camera Ready (for teens)?through bundles of acting, modeling, and dance classes that build a solid foundation of arts education. Acting classes build upon pantomime and improv before moving into performance and technique, and modeling sessions teach students how to prowl and pose like a pro on the catwalk. Ballet, jazz, tap, and hip-hop lessons give pupils the grace and moves they need to perform classical and contemporary routines.
Since its founding in 1977, FieldCrest has cultivated a motivational environment that encourages self-expression and poise. Besides arts classes, it also offers etiquette courses that can convert even the most slovenly kids and adults into Miss Manners devotees.
The instructors of Origins Dance Academy have traveled far and wide to learn and practice their craft, from choreographing in Los Angeles to dancing in prestigious European and Canadian ballet companies to appearing in area musicals. That wide range of experience allows them to teach youngsters in a wide variety of classes, including tap, ballet, and hip-hop. Origins also occasionally presents its students in performances and sends them to competitions judged by technique, difficulty, and how well the dancers perform sequences from Swan Lake while partnered with real swans.
Chicago Elevated, run by effusive improv veteran Margaret Hicks, leads curious charges on eclectic group, private, and custom tours of the city. Jaunts lead natives and tourists alike through the city’s oft-overlooked nooks and crannies as Hicks’s jovial voice narrates every step, shedding light on secret areas and easily overlooked historic sites. Her pedway tour sojourns into Chicago’s tiled subterranean antecity, where retailers, restaurants, and mole people mingle. Tours explore sites of famous disasters, visit the ghostly red-light district that once stretched below what is now Printer’s Row, and gaze at downtown’s ornate architecture from the riverwalk.
Stationed in Wrigleyville after college, Hicks accrued the healthy sense of humor and comedic timing that pepper each tour at Second City, iO, and other theaters. Though she attempted a move to New York City, Hicks soon discovered she couldn’t stay away from Chicago’s majestic skyline or the skyscrapers’ subtly receding hairlines. A stint in the Chicago Architecture Foundation’s docent program, as well as acting as a tour guide for six years, arm her with insider’s knowledge that soon transfers to listeners’ brains.
Chicago Sinfonietta was already markedly different from its counterparts when it played its first notes in 1987. Its founder and conductor Paul Freeman wanted to create a symphony that actually reflected the community in which it existed. The ensemble he formed brought together musicians from diverse racial and cultural backgrounds, who interpreted both classical pieces and forgotten compositions from composers of color. His concept proved successful—the symphony toured Europe, played the Kennedy Center twice, and produced 14 albums, all while tunefully demonstrating the universality of music.
Today, Chicago Sinfonietta continues to perform unique programs, and supports music education and professional development opportunities for members of underrepresented communities. Freeman retired from his post at the end of the 2011 season, passing the reins new music director Mei-Ann Chen, but his legacy lives on in the music of performers he helped get started, including classical-music legend Yo-Yo Ma.