Every year, Cinema at the Square takes over the Palace Theatre's 20'x47' screen to treat moviegoers to an eclectic lineup of classic flicks. With a restored 1927 Kimball organ played before the films, the month-long festival transports viewers back in time, allowing them to forget their everyday cares and give fellow show-goers new everyday cares by dumping a pack of Milk Duds into their purse. The Palace Theatre was originally built in the roaring '20s, and proffers the perfect locale for breathless escapism, with rich red carpet and a lobby dominated by a sweeping marble staircase.
For one night, the State Theatre opens its curtained portal to the past so that audiences can glimpse a time when the Philly sound dominated and velvet-voiced singers in synchronized suits crooned soulful songs of love and heartbreak. The Stylistics take center stage with renditions of their classic hits such as "Betcha by Golly, Wow" and the immortal, bittersweet ballad "You Are Everything." Also playing are the Chi-Lites, of the irresistibly funky "Are You My Woman," and the Emotions––the trio of divas that penned 1977's "Best of My Love." The oft-sampled Delfonics heat up the stage with smooth spins, sharp suits, and controlled fires, as do The Blue Notes, who keep up an energetic stage presence in their heartbreaker "The Love I Lost."
Weathervane Playhouse is Akron's community theater!
Now in its 76th season, Weathervane continues to hold fast to its mission statement: To be a volunteer-based, professionally directed theater that serves the community by engaging, educating, entertaining and enriching the quality of life for Northeast Ohioans.
After five years away from American stages, the immutable hard-rock juggernaut Guns N’ Roses reuses its illusions to whip crowds into a frenzy during a notoriously raucous live show. Enigmatic siren Axl Rose, beloved for his punk-rock stance against prolificacy, leads his wrecking crew of Roses through a two-hour tour of greatest hits culled from the band's groundbreaking debut album, Appetite for Destruction, the long-awaited Chinese Democracy, and everything in between. The group soars and shines throughout a marathon performance, ranging from turbo-charged rockers such as “Welcome to the Jungle” and “Sweet Child O’ Mine” through ballads such as “November Rain.” With hatless new axeman Dj Ashba stepping into the shoes of Slash, and The Replacements’ Tommy Stinson replacing Duff McKagan, Guns N’ Roses is recharged and ready to quench destructive appetites with pure organic rock wrung from handpicked bandanas.
When it first opened its doors in 1949, The Huron Playhouse saw its first performance in the form of John Loves Mary, a wartime comedy. In the prevailing years, the venue and its company have run productions of across all genres, from Shakespearean tales to children's theatre. The company puts on five shows a year, filling the space with musicals, dramas, and migratory box fans within the space of an eight-week summer season.
With more than 60 years of combined rug-cutting experience, La Danse Cleveland's co-owners, Esther Rehm-Cohen and Tim Brown, have helped untold numbers of students twirl, hop, and belly slide across the dance floor. Certified as a ballroom instructor in 1981, Esther has won national awards for her teaching skills and has had the distinct honor of training couples who have gone on to rank in competitions. She garnered the position of head coach of the Case Western Reserve University ballroom team before fate's two-step led her to a partnership with Tim to run La Danse Cleveland's ample 6,000-square-foot studio. Boasting a background that includes competition in professional arenas as well as work as a dancing judge and a choreographer, co-owner Tim delights in crafting group classes and private lessons that excite and challenge students.
Included on the studio's roster of lessons are styles from Viennese waltz to nightclub two-step, along with sessions tailored specifically to children and to adult fitness goals. In classes and dance parties open to the public, students and social dancers alike rendezvous with Esther, Tim, and their impressive stable of instructors, whose resumés include stints with such world-class companies as the Boston Ballet and Gene Kelly's gutter-cleaning company.