Fanny Kerwich, Lone Star Circus’s founder and current creative director, was born with the circus in her blood. An eighth-generation member of a renowned French circus family, she has been performing since age 6, delighting international audiences at Paris’s Lido and Moulin Rouge, Germany’s Circus Roncalli, and San Francisco’s Teatro ZinZanni.
Fanny’s performing experience and artistic vision now guide the nonprofit Lone Star Circus, which is a two-branched operation. Its performance troupe’s grace and athleticism shine during shows. The circus’s school hosts classes for adults and children throughout the week. Beginners’ classes cover a variety of circus skills, from trapeze and aerial silk work to acrobatics and lyra, also known as aerial hoop. Learning to lift and hold your own body weight is a good way to get stronger and see muscle definition quickly.
With a history stretching back more than 40 years, Circus Vargas wows audiences with dazzling acrobatics and rib-tickling clowns under a giant big-top tent. The show eschews animal performers for human-costumed spectacles, showcasing dazzling feats that only a few dexterous humans and short-circuited cyborgs are capable of. The circus's big top, hand-fashioned in Milan from 90,000 square feet of fabric, holds up to 1,500 show-goers in classic, blue-dyed elegance. Early-arriving guests can take part in an interactive preshow, jumping in the ring with ringmaster Jon Weiss as he leads audience members through tutorials that show how to perform stunts such as juggling, feather balancing, and balancing checkbooks with quill pens.