They thunder through Case Creek, shedding clumps of mud and other grime as water splashes around their tired legs. The memory of the past 3.1 miles begins to take shape in their minds: swinging from monkey bar to monkey bar over a pool of murky water; flipping tires; scaling cargo nets and walls. They're the adrenaline junkies who've completed Case Creek Obstacles' 5K course, a labyrinth of obstacle-laden trails that cut through forested areas, across pastures, and over hills.
The Quad City Symphony Orchestra tickles ears with beautiful melodies and spectacular performances during its annual "Holiday Pops" concerts. Guest conductor Michael Butterman takes charge of an all-star cast that features six-time U.S. figure-skating champion Todd Eldredge as he shows off his moves and carves his version of a perfect tumbleweed into the ice. Actor and Quad Cities native John Getz lends his vocal talents to festive proceedings, and internationally acclaimed trumpeter Jon Faddis jazzes up orchestral pieces with fiery improvisation. The show takes place at the i wireless Center, with guests choosing from lower-bowl seats for straight-ahead sightlines or upper-bowl perches for enviable views of conductor stage dives.
Mike Mott and Cole Chaplin share more than just alliterative names; their mutual passion for promoting Iowa's tourism industry led them to found IA Segway together, and they continue to introduce visitors to the cultural richness of the Quad Cities with informative Segway tours. Mike and Cole command a fleet of Segway i2s—the company’s most current model—and teach tour groups how to safely operate the self-balancing steeds before blazing trails to spots of local and historic significance. Tours swing around scenic destinations such as the Figge Art Museum, McClellan Heights, and Credit Island, whose battlefield is strewn with denied credit cards that date back to the War of 1812.
Patchy forest to the north and 265th Street to the south border Cedar Valley Golf Course, separating the grassy haven from miles of Iowa farmland on the other side. Within the oasis lie ponds that enter play on all but five of the holes, including hole 13, where the green juts out into a large water hazard that regularly swallows up overly-forceful approaches. Players will find themselves facing other risk-reward scenarios throughout their bout with the course, such as on hole 5, where they must either lay up or go for the green, and on hole 16, where they must decide between hitting a 210-yard shot that carries the water or just picking the ball up and carrying it to the hole.
Course at a Glance:
Diamond Dreams Baseball and Softball Academy's athletic facilities double as classrooms for players of all ages. A 10,000-square-foot arena houses indoor pitching mounds, technique cages, and throwing tunnels with Iron Mike and curveball pitching machines. An adjoining 2,000-square-foot performance center caters to youth and adult development programs.
Helming these facilities, experienced instructors adhere to a philosophy known as Life-Sport-Connect. As implied by its title, Life-Sport-Connect emphasizes the link between athletics and the real world. As athletes learn how to maintain a positive attitude, work as a team, and douse their coach in sports drink, they develop virtuous characteristics that affect their personal lives.
Classes, workshops, and camps primarily emphasize baseball, softball, and football. Regular baseball tournaments provide game time between local and regional teams, and a chance to show off with home-run derbies and throwing competitions.
2011's Firecracker 500 Festival serves up more than 20 eclectic garage-rock groups bent on rocking an all-ages-audience's socks off over three thrash-filled days. Bands such as White Mystery and Pitchfork-reviewed quartet The Coathangers kick out jams with riot-grrrl grit, and headliners The Strange Boys shred psychedelic hooks sharper than Jimi Hendrix's diamond-tipped mustache-trimmers. The festival's full roster of up-and-coming acts can expose most attendees' ears to new shrieks and sounds.