Over the course of the summer, Street Food Cinema rolls out more than a dozen events that showcase the greatest hits of the silver screen and the LA food-truck scene. When the gates open, guests spread blankets on the grass, pop open coolers, and, when showings are at Exposition Park, even settle down with their dogs—the park is pet friendly and broadcasts canine subtitles for each film. Live bands presented by The Viper Room play until dusk, when crowd-pleasing movies such as Edward Scissorhands and Reality Bites slide across the big screen. Meanwhile, a rotating food-truck schedule assembles a diverse curbside lineup, which might include short ribs from Kogi Korean barbecue or the gooey delights of The Grilled Cheese Truck.
Street Food Cinema's eclectic assemblage of food, music, and films has picked up attention beyond the park's bounds, snagging mentions on NBC4 and in the Huffington Post's Broke Girls Guide. It's also become known for its philanthropic work: each year the organization supports one designated local charity.
A founding member of pioneer prog-rock outfits King Crimson and Emerson, Lake and Palmer, Greg Lake thrills audiences with impeccable guitar artistry and improvisational skills honed across more than four decades. Supporting the upcoming release of his autobiography, his Songs of a Lifetime tour mixes iconic tunes from across his career with stories about his life in music. Audience questions will let fans probe his brain for interesting anecdotes, insightful observations, and biographical details needed to complete an android replica. At the concert, the first third of his autobiography will be available for purchase in audiobook format, letting fans aurally absorb Lake’s saga as told in his own voice.
Situated on the rooftop of a local parking garage, Electric Dusk Drive-In is a high-altitude destination for a classic cinematic experience. The soundtracks of time-tested favorites and current releases stream out of car radios tuned to the theater’s FM station. In front of the screen, a spacious patch of astroturf grows from the concrete, inviting on-foot viewers to lounge in camp chairs as they watch. Carhops weave from vehicle to vehicle to deliver orders of popcorn, burgers, and sodas, as well as eclectic treats such as oatmeal-cookie pies, cups of ramen, and honey-glazed film reels.
The Roy and Edna Disney/CalArts Theater, which the Huffington Post calls “the gold standard of the avant garde in LA,” introduces members to emerging local and international artists with gallery exhibitions and innovative performances in art, music, dance, film, and multimedia. In time for the debut of the 2012 schedule, individual members enjoy a 20% discount on up to two tickets to each of REDCAT’s theatrical productions, which include Lars Jan’s genre-defying Abacus, with high-tech effects and compelling performances that explore media’s persuasive power. With 24 hours’ notice, members can trade in tickets for another date, increasing their chances of catching chats with filmmakers such as William E. Jones, comedy sets by jokesters such as Sandra Bernhard, or recollections of '70s New York by former Yankees shortstop Lou Reed.
At Starlight Cinemas, cinephiles can get up close and personal with their favorite celebrities without worrying about security guards or the electric force field that keeps Ralph Macchio from aging. Two movie tickets grant Groupon holders and their companions access to any 2-D or 3-D movie (subject to availability), projected in pristine HD digital in every auditorium. A large tub of popcorn fuels buttery snacking during trailers, and a free refill ensures patrons have snacks to eat during the feature or to toss over their shoulder during startling horror scenes. Though not valid with this Groupon, each theater is equipped with full concessions should guests feel the urge for sodas, candy, or other popular cine-fare. Check Starlight Cinemas’ individual websites for current listings and showtimes.
Family owned since 1978, the New Beverly Cinema promises a well-curated calendar of double features, splashing the silver screen with indie flicks, classic comedies, offbeat thrillers, and deep cuts of foreign films. Spend an evening with two pictures directed by and starring Clint Eastwood, presented in 35mm film on May 22–24, beginning with High Plains Drifter (1973) and drifting into Pale Rider (1985). On May 29–30, movie-goers can slurp their large sodas and munch their medium popcorns as they giggle to the twin bill of Road to Morocco (1942) and Road to Utopia (1946), each a farcical tale of travel starring Bing Crosby and Bob Hope.