At the helm of L.A. Dance School of the Arts is director Angela Paolino Thompson, a graduate of NYU’s dance program. Certified by the Dance Educators of America, she leads a team that instills the grace and technique needed for recreational, competitive, and professional dancing success. Their twinkle-toed repertoire includes at least 10 modalities of dance at any time, such as tap, jazz, hip-hop, and ballet. They also incorporate acting, vocal, and fitness classes into their repertoire, and offer more traditional boot-camp workouts as well.
Upon entering the Count Basie Theatre, guests may feel as though they’ve slipped through a crack in time and ended up in the early 1900s. Opulent marble staircases and gold details grab the eyes of visitors, recalling the decadence of Hollywood’s history and gently pulling them to the auditorium. There, the acoustically pleasing construction wins out as sound spreads and funnels through a sunburst dome embellished with a dangling chandelier. Since opening in 1926, the Count Basie has earned numerous accolades, including a nod from Pollstar magazine, which listed it as one of the Top 100 Worldwide Theatre Venues.
Since its inception, all the plays that Two River Theater has produced have shared a common thread: capturing the human experience. Bridging the gap between players and audiences, their intimate performances have made them a New Jersey treasure, leading to three Theater of the Year awards from the New Jersey Theater Alliance and The Star Ledger, as well as designation as a Major Impact Organization by the New Jersey State Council of the Arts. Giving them space to play along the way are two theaters: the 350-seat Joan and Robert Rechnitz Theater, where six-play subscription seasons and holiday shows unfold, and the 99-seat black box Marion Huber Theater.