Beloved boy bands New Kids on the Block and the Backstreet Boys rev the engines of adoration among droves of fans with their poptastic summer tour. New Kids on the Block has been plucking heartstrings and handcrafting harmonies since 1986, combining a collection of international hits such as "Hangin' Tough" and "Step by Step" with five-part choreography and fashionable duds. Following in their footsteps, the Backstreet Boys began blowing up charts in the '90s, producing a songbook replete with favorites such as "I Want It That Way," "All I Have to Give," and "Everybody (Backstreet's Back)." The NKOTBSB Tour brings both acts together for a songful extravaganza, forming the more perfect union prophesied nearly 50 years ago by the Constitution. The May 25 concert also includes the vocal virtuosity of special guest and American Idol winner Jordin Sparks, adding to an ear-pleasing stew of dulcet melodies sure to soothe the most savage beast or most irascible mail carrier.
The largest soft-seat theatre in Canada, the Sony Centre for the Performing Arts is perhaps most famous for its overhanging marquee outside. The diagonal canopy and its snake-like rows of lights were restored to their original form in 2010, along with the facility’s wood, brass, and marble accents. Inside the lobby, York Wilson’s mural, The Seven Lively Arts, fills eyes with fractured, panoramic representations of various artistic media, from slanted musical staffs to menacing Greek theatre masks.
Shiatsu and LaStone therapist of Transense Healing Arts Holistic Centre employs two distinct therapy treatments to help clients reduce pain and discomfort. She uses her knuckles, thumbs, palms, knees, and elbows as instruments of relaxation, drawing from shiatsu techniques and Japanese-style acupressure to pinpoint and expunge stress. Alternatively, she uses heated basalt rocks formed from volcanic lava during LaStone therapy, loosening up knotted muscles.
Her experience stems back to the Aveda Institute in Victoria, B.C., where she graduated from in 1998 in esthetics. Since 2000, she has added LaStone therapy to her repertoire, which allows her to stimulated the autonomic nervous system and increase oxygen in the body. Her subsequent interest in shiatsu led her to Shiatsu School of Canada, which enables her to continue her journey of educational growth through her daily practice.
The resident instrumentalists at Artscape Wychwood Barns, the Music in the Barns Chamber Ensemble makes good use of the surprisingly effective acoustics of the renovated warehouse it calls home. Dedicated to the works of modern and contemporary artists, the ensemble works closely with composers and builds their programs around 20th and 21st century artists. Not just classical artists either—the group has not only worked with Yo-Yo Ma, the Montreal Symphony Orchestra, and the Canadian Opera Company, but also with Kanye West, Mary J. Blige, and Richard Reed Perry of the Arcade Fire.
Constructed in 1934 in the Spanish-mission style, the San Jose Civic has played host to a star-studded lineup of performers—including The Who, who kicked off its first U.S. tour on the Civic's venerable stage. The building's elegant, dual-level exterior and softy lit tower recall bygone days of conquistadors, and the remodeled auditorium's armrests and cup holders keep chalices of gold comfortably upright.
Orchestral Zeppelin unleashes a full serving of symphonic Led, fusing eminent rock 'n' roll anthems such as "Immigrant Song" and "Stairway to Heaven" with the sophisticated measures of a 20-piece orchestra. Head-bangers and classical backers alike ally behind the unified banner strung from ear-to-ear by frontman Michael White and his band of veteran rockers, who have rattled amplifiers since 1977 with both original tunes and Zeppelin covers. Composed of budding musicians and cellos that only need to shave once per week, the Symphony of Rock Youth Orchestra accompanies the wailing vocals and fiery licks with aggressive, tightly spun arrangements, and a multimedia visual experience allows multiple senses to simultaneously get the Led out. The all-age performance also represents a model opportunity to introduce young fans to new musical experiences, whether that be the inspired guitar riffs of the 1970s or the cordial, slow-moving mosh-pits that spring up at most symphony concerts.