Whose Line Is It Anyway? stars Colin Mochrie and Brad Sherwood tickle ribs in an evening of improvised comedy. Starting with suggestions form the audience, Mochrie and Sherwood fashion witty sketches that free guffaws from bellies and remind sad clowns what they've given up for their craft. Interactivity spices up the evening, with the comedic pair calling audience members to the stage to assist in chuckle-making scenes. The Hemmens Cultural Center ensconces guests in main-floor seats guaranteed to be within 100 feet of the stage, affording straight sightlines to onstage action and comfortable distance from the occasional gargoyle infestations of the balcony.
Tires burn in the street. Bags of trash sprawl on the sidewalks. Boards cover windows and biohazard signs are plastered everywhere you look. Something has gone seriously wrong. A nightmare has taken over Chicago Street, where a zombie virus has broken out and the undead wait around every turn. Luckily, the military has set up some safe zones, where the remaining humans?ever resilient?have started to party.
That's the very realistic-looking stage set by Nightmare on Chicago Street. In addition to up-close zombie encounters and an apolcalyptic landscape, the annual celebration of all things terrifying surrounds attendees with food, drinks, live graffiti artists, and two performance stages. It's there that DJs spin tunes and bands perform live through the evening. Horror icon Svengoolie has also been known to make an appearance, causing the zombies to grumble in giddy anticipation.
Within the private Studio Maliha, a dance space with floating oak-laminate floors, full-length mirrors, and track lighting, Serafina Belly Dances welcomes dancers of all ages, sizes, and abilities. In private and group classes—with a capacity of 12—students learn the fundamentals of proper posture, technique, and vocabulary of belly dancing. Students not only glean a full-body workout from the physically challenging moves of belly dance, but can also garner empowerment and a healthy self-image from the sensuous art form. Serafina Belly Dances celebrates self-appreciation and encourages positive body image in women of all sizes.
Home to a frog-tongue slide and bordered by a pair of serpentine water slides, Lords Park Aquatic Center’s 14,142-square-foot recreation pool mixes water with whimsy to the delight of guests of all ages. In addition to the child-friendly fare, the Elgin Parks and Recreation facility invites older splashers to use the cordoned-off lap-swimming area, where they can practice their freestyle strokes and flip turns. Outside the zero-depth pool borders lie a sand volleyball court, a concession area, and plenty of chairs for poolside relaxation.
Sapphire Hills Stable shares its 22-acre expanse with indoor and outdoor arenas, as well as a vast network of trails for casual riding. Lifelong equestrian Cheryl Bethel with a specialization in Western Saddle riding—instructs riders of all skill levels with lessons in Hunter/Jumper and Dressage. Spectators can watch from the indoor arena’s heated viewing room—perfect for protection against the cold winter winds and cold shoulders from horses that won’t return high-fives.
Evil Intentions Haunted House evokes the details of its site’s checkered past to conjure the stuff of nightmares. The area the haunted house now occupies has been plagued with creepy occurrences for more than a century. Since the 1890s the expanse has been used as the premises of a coffin company, a stomping ground for escapees from a nearby mental institution, and a gathering place for the occult’s summer softball league.
Starting in 2005, the Evil Intentions Haunted House team slowly transformed this troubled spot into a haunted house that comes alive with shrieks once night falls. Visitors can leave their cars in the free parking lot and gather in the indoor waiting area before exploring more than 20,000 square feet of tortuous halls filled with dark decor and costumed frights. Demonic clowns, faceless butchers, and cleaver-wielding lunatics creep around corners and leap out of hidden alcoves, scaring both passing patrons and the actual ghosts who occupy the building.