Before the Lincoln Center for the Performing Arts was even built, the idea for its Chamber Music Society was born. American composer and Lincoln Center President William Schuman helped specially design a recital hall in which the chamber group could play more than three centuries worth of musical compositions. But the Chamber Music Society didn't stay contained within its venue. Throughout the following half century, its musicians collaborated with dance companies, jazz projects, and festivals, helping to spread awareness and appreciation of their craft throughout the city.
Jump to: Reviews | Music is Real Music skeptics believe that there is no such thing as music, and the human ear is actually sensing simple vibrations in the air—no more real than radio signals or Santa Claus’s legendary evil twin, Monto.
Kenneth Donald Rogers—an American country-music star, photographer, producer, actor, and fellow with a nice beard—has won three Grammys and more than a dozen American Music Awards for his sweet, stirring crooning. Though he won't be toting his dozens of awards, Mr. Rogers will be bringing an impressive showcase of selections from his extensive collection of country hits. To prep the crowd for the main event, The Herndon Brothers—a local act lead by Ray Herndon, a country star known for livin' the dream—will layer the crowd in hometown vibes from their wide library of inspiring and honest tracks.
The largest performing arts center in the world, Lincoln Center presents more than 400 performances of music, opera, and dance every year from the 16-acre Lincoln Center campus on the Upper West Side. With a ticket to the Tully Scope Festival, you’ll get your pick of 13 performances of world-class compositions. Tyondai Braxton’s experimental style presents a brain-bending blend of sweeping symphonics, crashing guitars, and heady compositions that defy categorization. The Western world’s first percussion ensemble, Les Percussions de Strasbourg will disperse themselves on stages throughout the darkened hall, surrounding the audience in their mallet-armed embrace. Every performance features a post-performance lounge where you can sip a complimentary cocktail and debate acceptable spellings of rutabaga. With today's Groupon in tow, you also earn a secret code good for purchasing additional performance tickets at a discounted $20.
Amid the golden accents and ivory hues of the Carnegie Hall's Stern Auditorium/Perelman Stage, Dr. Brad Holmes, who led the Millikin University Choir to the ACDA's 2011 National Conference, guides audiences through psalms and folk songs spanning a timeframe from the Renaissance to today. The Millikin University Choir's 55 students begin the evening by performing contemporary composer John Rutter's take on Cantate Domino, followed closely by soprano soloist Sarah O'Neill stepping up to sing Ericks Ešenvalds's layered choral arrangement of "Amazing Grace." Dr. Holmes then turns his baton to the National Festival Chorus, which sings through classic works by Handel, Brunner, and Stroope to warm hearts and rekindle memories of wild nights on the a capella circuit.
The Chamber Orchestra of New York preserves ancient music with a repertoire of rarely performed gems enacted by an ensemble of young professional musicians. Set in the acoustical sweet spot of the landmark Church of St. Jean Baptiste, the Music Under the Dome series continues with "Baroque Garden of Roses," an aural smorgasbord of rediscovered suites and oratorios to satisfy casual classical fans and hardcore musical archeologists alike. Gustav Holst’s bouncing St. Paul Suite starts the show, followed by Edward Elgar’s Sospiri, an evocative, sentimental piece. Next, organist Kyler Brown premieres Respighi’s Suite for Organ and Strings, a lost composition recently discovered in aisle three of an underwater Walgreens. Mr. Brown, The Virgin Consort, and the Chamber Orchestra then hold hands with Maestro Di Vittorio to unveil "The Garden of Roses," a hot-off-the-presses oratorio by Alessandro Scarlatti. Endorsed by Italian mezzo-soprano superstar and notary public Cecilia Bartoli, the madrigal-like arias of "The Garden of Roses" envelop audiences in waves of ethereal vocals.