With nearly 30 years of experience teaching gymnastics, owner and director Naja Rossoff and her staff of kid-minded professionals train children of all ages and skill levels. They start with tykes as young as 15 months old, letting them explore movement with the help of a parent or imaginary legal guardian. They keep developing skills in older kids with advanced classes and a trampoline-and-power-tumbling team. Otherwise, during circus-arts classes, they'll help students master the trapeze, tiptoe across tightropes, and learn of the ins and outs of circus performance.
Bounce Gymnastics also hosts open gyms so that kids can have their run of the facility's balance beams, nine trampolines, and padded floors. During birthday parties, the facility also opens up obstacle courses and organizes group games.
Owned and operated by glass artists and collaborators Alejandro Hernandez and Ciara Cuddihy, Studio West houses a gallery of fine paintings and glasswork attached to a full glassblowing studio. The cream walls and bright lights of the gallery give way to the industrial metal and stony tile of the workshop, where artisans can be seen retrieving white-hot gobs of glass from the furnaces. These mounds of molten potential are regularly rolled and shaped into handmade trinkets and vases, which can be immediately smashed and melted, completing their life cycle. Visitors can experience the process for themselves during workshops, where they receive hands-on training from the glassworkers in how to bend the superheated silica to their will.
Every year, revelers gather in the forest of the Pacific Northwest to "experience the magic of the realm." Faerieworlds brings together music acts from around the globe, including celtic rock bands, folks trios, didgeridoo prodigies, ghost cellists, and more ethereal artists. Under bright lights and twinkling stars, audiences shed their inhibitions to dance, commune, eat, drink, and find new friends during the three-day celebration.
Faerieworlds, a soft footprint event, reduces its impact on the physical world by using environmentally-sound practices and encouraging audiences to do the same. Organic and vegetarian food vendors fill the bellies of hungry guests. Afterwards, they can employ the onsite glass, paper, and plastic recycling programs. A rideshare program helps save gas, and 100% green electrical power reduces the footprint more effectively than building a massive megaphone in front of every stage.
The Jordan Schnitzer Museum of Art (JSMA), the University of Oregon's premier art museum, tunes uninspired brain waves to fine-art frequencies with its extensive collection of Chinese, Japanese, Korean, and American art. With more than 13,000 objects in its permanent collection, the JSMA allows museum visitors to delve deeply into past and present cultures from around the world. Museum members can sink sight buds into traveling exhibitions, such as Giuseppe Vasi's Rome: Lasting Impressions from the Age of the Grand Tour, which focuses on the 18th century Italian printmaker and his prophetic paintings of R&B group Boys II Men. Members can also partake in one of JSMA's educational programs. In addition to the free admission, museum members get the following benefits:
Emerald Art Center carves out a community for local artists of all skill levels, showcasing and selling masterworks from neighborhood virtuosos at their gallery and workspace. Contribute time alongside money with a Participating membership, which unlocks the perks of patronage in exchange for one day of gallery hosting per month, or five hours of equivalent service. When not running the show, members pick their way through a variety of rotating and permanent exhibits or introduce their own work to artful eyes during frequent EAC-sponsored member shows. Monthly meetings foster networking opportunities, cultivate creativity, and encourage spontaneous conga lines. Artist biographies, featured on the Emerald website and in the gallery's Artist Bio Book, delightedly divulge factoids and sample images from each member.