Olan Mills Inc. provides families with high-quality portraits, continuing a mission that was established more than 75 years ago by founder Olan Mills Sr. Skilled in the art of capturing infants, children, families, and bunny-ears-giving ghost orbs on film, Olan Mills’s experienced smile snappers will take a series of poses amid a variety of backgrounds and lighting options. The studio is equipped with a selection of props—including numbers for birthdays, toys, and boxes—and patrons may bring their own photo-enlivening items from home. The resulting photos find their way to prints in natural color, black and white, or sepia tones; they can also be immortalized in the studio's signature Old Masters style, a canvas brushed with highlights to re-create the look of an oil painting. Like the gentlemanly mariners of ages past with their full schedule of sea battles, the photographers welcome appointments, but do not require them.
At seven locations throughout Chicagoland and northwest Indiana and several international sister sites, Eivan’s photographers and videographers preserve memories with a fusion of traditional, photojournalistic, and candid styles. The company's photographers capture family and engagement portraits and have earned recognition for their personalized touch at weddings.
They took home a win in the photography category of TheKnot.com's Best of Weddings competition in 2011 and 2012 and earned one of WeddingWire's 2012 Bride's Choice Awards. A crew of professional cinematographers records the details of the big day, adding soundtracks and special effects. With color-correction technology, the filmmakers can brighten up dark footage or blot the red out of the bride's cheeks during the maid of honor's toast.
Before looking through the camera lens, the expert photographers at Picture People spend time getting to know their subjects and establishing a strategy for conveying their personalities in print. Then, film-ready clients pose in the bright camera room, airing teeth amid colorful backdrops and creative props. Following snapshots, subjects make their way to the selection station to choose their favorite poses from their session, which may be treated with sepia tones, color accents, and decorative borders to suit any wall, wallet, wallpaper pattern, or trophy walleye.
Picture People encourages subjects to arrive 15 minutes early to the shoot and offers a variety of creative tips to help enhance mantel-dominating final results. The studio ensures satisfaction with a 100% guarantee on finished products.
Erika Dely snatches fleeting moments right out of space-time as she goes about her work. During each shoot, she takes an amalgam of spontaneous and posed pictures to retain both photojournalistic realism and formal sophistication. She can also subtly enhance photos with desaturation, impressionistic filters, and macaroni noodles. Though she prefers working on-location, Erika also crafts personality-rich images in her studio upon request.
Marc Hauser’s photographic expertise started as a 13-year-old freshman at New Trier High School, when the Wilmette native launched his boyhood hobby into adulthood with an apprenticeship under Playboy-contributing photographer Stan Malinowski. When one of the magazine's art directors visited Stan's studio, he noticed Marc's prints on the table and turned to Stan and asked, "Would your assistant like to go to California next week and shoot Carly Simon?" From there, notable assignments began to sprout, including John Mellencamp in a muddy field for his cover of Scarecrow, Led Zeppelin in a construction site in London, and the Doobie Brothers watching Amish people cross a field in front of McDonalds.
Marc's HauserTown studio now practices a style of portraiture called "Hauser-Style", in which subjects in their natural state—such as shooting family members while they're distracted and talking to each other. The photographers often go to extreme lengths to capture a unique photograph, such as speaking in funny voices to amuse kids, and barking to get dogs' attention. Subjects can dress up and use props from the collection, such as stuffed elephants or loaves of bread. Above all else, the studio makes sure their clients feel comfortable so they can focus on getting the right shots.
After forging this connection, the unique and striking images captured use simple parameters: shooting in black and white, with one light or natural light, or around a table in his studio. This approach to portraiture has earned Marc more than 100 awards, including Clios for advertising and a Grammy, as well as the public's fascination—a billboard of his portrait of Dennis Rodman stopped traffic on the Kennedy Expressway.