At Tommy’s, candlelight casts dark wood wainscoting, burnt-orange walls, and stone floors in a warm glow. The elegant eatery—which has been hailed by Frommer’s as “the most creative restaurant in Visalia"—complements its environs with equally haute cuisine. Chefs serve succulent steaks on cedar planks and drizzle them with southwestern flourishes such as tequila-roasted green chilis, poblano cream sauce, and a single cactus tear. Additionally, Tommy’s stocks its wine cellar with an ample wine selection.
Manhattan Steakhouse & Bar serves up an extensive menu of fine steakhouse dinner in elegant environs. An order of escargot in champagne, garlic, and parmesan butter ($10.95) or a breadcrumb-coated, fried brie-cheese wedge ($11.95) revs up stomach engines before main meal events. A vast selection of entrée salads offers an abundance of ground-grown sustenance ($6.95+), alongside hearty eats from land and sea, such as the New York Roquefort, an aged, black Angus topped with crumbled blue cheese ($26.95), or pistachio-crusted halibut ($28.95). With dim lighting and city-skyline décor, the eatery's ritzy mid-century vibe and long, full bar welcome guests to settle in for wine or decadent specialty cocktails, such as the white-chocolate raspberry truffle, a mix of Godet, Chambord, amaretto, and white cacao. Reservations, like wearing chain mail while wrestling a bear, are highly recommended but not required.
Two years running, the people of Fresno have spoken: The Standard Restaurant and Lounge is the place to eat. Twice honored with the People's Choice Award from the Fresno Bee, the kitchen's inventive, beautiful, and relatable new-American fare keeps its diners coming back for more. Across the lounge, soft leather seats cradle visitors clinking glasses from the full wine list or snacking on appetizers, while the outdoor cabana accommodates al-fresco dining during warmer weather. Doubling as a destination for nightlife, The Standard also offers VIP bottle service and a private dining room.
Johnny Cash, one of the world’s most beloved musical storytellers, gets a fitting salute in The Cash Tribute Show featuring James Garner, a heartfelt production that honors the life and the legend of the Man in Black. With a backup band that pegs the “boom-chicka-boom” sound of the Tennessee Three, lifelong Cash fanatic James Garner (not the guy from The Rockford Files) leads fans on a delightful travelogue through Johnny Cash’s travails. From Cash's youth as a scrappy foghorn to the day he found his melanoid wardrobe, The Cash Tribute Show intersperses anecdotes and personal accounts of Cash encounters between Garner's renditions of his hit songs. With lungs full of respect and big shoes to fill, Garner eschews the shtick of impersonation and the redolence of method actors by singing Cash’s classics with a true fan’s passion and reverence, making the hearts of the happy audience swell like a perfectly cooked Folsom Prison soufflé.
Named for the famed German soprano, Lotte Lehmann Concert Hall pays homage to a wealth of musicians during its slate of concerts. Throughout the year, the USBC music venue welcomes gospel choirs and symphonies to its stage, as well as wind ensembles that double as the venue’s air conditioning system.
Before Bell Biv DeVoe warned that girl was “Poison,” Johnny Gill “Just Got Paid,” Ralph Tresvant boasted his “Sensitivity,” and Bobby Brown declared it was “My Prerogative,” all six new jack swingers strutted across stages as teen sensation New Edition. Fully reunited and dressed to the nines, the soulful sextet packs the stage with decades of accumulated Top 10 classics and smooth dance moves. The nearly two-hour set spans the group’s entire career, from falsetto-laden classics such as “Candy Girl” and “Cool It Now” to later hits such as “If It Isn’t Love,” all mixed with stacks of tracks from their successful solo careers. This tour finds them putting on a show that's "loose, fast-paced, high-spirited, loaded with hits and personality, and thoroughly entertaining," according to the Newark Star-Ledger review of a recent concert, bringing to life a catalog of songs that sticks to ears like honeycomb earmuffs.