Founded in 1895, the Cincinnati Symphony Orchestra?under the direction of Louis Langr?e?has matured into one of the nation's melodic heavyweights. Not only was the ensemble the first American orchestra to tour the world, backed by the US Department of State, it also hit the road stateside, playing Carnegie Hall 47 times since 1917. With such an enormous history, it's no surprise that some of classical music's biggest names are associated with the institution. It has housed famous conductors such as Leopold Stokowski and Max Rudolf, and has premiered the works of Debussy, Mahler, Ravel, and Bart?k. It's not only responsible for introducing Aaron Copland's A Lincoln Portrait to audiences, it also commissioned his Fanfare for the Common Man into existence. Attracting only the finest players from Ohio and around the world to its stable of musicians, the orchestra continues its second century as an ambassador of symphonic culture.
Famous for playing Elphaba in the hit musical Wicked, a role on Glee, and for being part of the original cast of Rent, Tony Award–winning actress and singer Idina Menzel wows audiences with powerful pipes and heart-strumming emotion. Backed up by the orchestral pros of the Kitchener-Waterloo Symphony, Menzel will unleash vocal fireworks that will enrapture showgoers and temporarily deafen unprepared police surveillance teams. The show will be recorded for Menzel's second PBS special, set to air in March of 2012, which will allow audience members to excitedly point themselves out during reruns. The Royal Conservatory's Koerner Hall ensconces guests in tune-friendly environs, with high ceilings and exquisite acoustics.
Founded in 2012 by tenor Shawn Mlynek and soprano Autumn West, the Cincinnati Chamber Opera lives by their motto: opera for everyone. That means staging small scale works in intimate venues, showcasing passionate performances by young and up-and-coming artists, and creating accessible productions without skimping on the vibrato. The young company has already presented pieces ranging from popular dramas such as L'Orfeo to little-known comedies such as Il Mondo Della Luna. By casting a broad stylistic net and keeping their stage pictures simple, Cincinnati Chamber Opera aims to return the art form to its populist roots.
Originally built in the late 1800s as a vaudeville theater and then seeing time as a German film theater in the 1950s, today Bogart’s stands as a portal to a world of live music. Six bars stand at the ready to keep rocking bodies hydrated, and three concert-viewing levels ensure pristine sightlines so that lead singers can have midconcert staring contests with anyone they choose.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
The oldest surviving theater in central Ohio, the fin de siècle elegance of the Southern Theatre's jewel-box auditorium transports audiences back to the days of vaudeville antics and silver-screen spectacle. Built in 1896 to state-of-the-art standards, the theater's bandshellesque proscenium bucked architectural norms to funnel sound into the seats. Its 204 light bulbs required that the theater generate its own electricity for years, until scientists figured out that nobody needed to worry about that stuff.