Flying chromatic spheres splatter across the turf and cover of Midway Paintball's six fields situated on 22 acres of woodlands and open spaces. Protective rental gear and paintball markers aid games of elimination, capture the flag, and save the king. The western field's buildings shelter tactical retreats, and the hyperball field's huge prone cylinders of corrugated piping allow for cat-like surprise attacks or intimidating sudden naps. Dotted with inflatable cover, the astroturf-covered NPPL?regulation field presents an ideal arena for professional-grade matches.
Renowned Cuban trumpeter Arturo Sandoval, who has received four Grammy awards and six Billboard awards, lacquers his audience's eardrums with genre-hopping performances that range from classical to bebob. After mastering the classical style during the beginning stages of his career, Sandoval repurposed his horn for jazz, using the valves to create improvisational glissandos and adding a Mustang-V8 engine to the bell. Revel in the expansive soundscape as he exemplifies these jazz chops and peforms an eclectic range of other tunes, including Afro-Cuban creations inspired by his homeland and some of Mozart's concertos. Unsatisfied with relying upon just a single instrument, the artist will also tickle the piano keys and flugel-horn valves, which yield much nicer sounds than tickling a bobcat.
After three decades as lead singer of renowned progressive-metal band Queensrÿche, Geoff Tate shows fans a strummier side on his West Coast acoustic tour. Tate turns his mellifluous pipes on an unplugged set that includes songs from his 2002 self-titled solo album, Queensrÿche classics, and Andrew Lloyd Webber favorites. The stripped-down style brings Tate's famously brooding voice and complex melodies, along with a less expected sense of groove, to the fore. The show opens with an acoustic trio led by special guest Jaime Kyle, who has written songs for luminaries including Faith Hill. Originally a movie palace, the art deco Uptown Theatre Napa evokes the splendor of Hollywood's golden age, and the auditorium's 860 plush seats keep guests comfy during concerts and postshow discussions with ushers over the semantics of the phrase "you have to leave."
Kenneth Donald Rogers—an American country-music star, photographer, producer, actor, and fellow with a nice beard—has won three Grammys and more than a dozen American Music Awards for his sweet, stirring crooning. Though he won't be toting his dozens of awards, Mr. Rogers will be bringing an impressive showcase of selections from his extensive collection of country hits. To prep the crowd for the main event, The Herndon Brothers—a local act lead by Ray Herndon, a country star known for livin' the dream—will layer the crowd in hometown vibes from their wide library of inspiring and honest tracks.
A black-tie affair with good times in mind, San Francisco Chic! is an annual party that rings in the new year with panache. Held at the Westin Hotel, the party spreads across several different rooms—guests might laugh it up with the comedians in attendance, head over to hear the funk, soul, and rock-and-roll of party hosts Top Shelf, listen to jazz with Sonya Jason, or groove with Raquel con Bolero y Mas! for salsa dancing. Additional packages include dinner theater, a makeshift casino that donates its proceeds to charity, and a bouncer to make sure 1973 doesn’t try to come back for seconds.
The California Symphony has treated the tunefully inclined to artful performances of both new music and classical classics for nearly a quarter of a century. Audiences for the March 6 concert, "In the Spotlight," will witness the skilled batonery of guest conductor George Cleve as he leads the world-premiere performance of Bay Area composer Cindy Cox's most recent work. With a unique voice noted for its tunings, harmonies, and textural colorations, Cox's piece will showcase regional orchestral musicians, such as flutist Monica Daniel-Barker, clarinetist Jerome Simas, and violist Marcel Gemperli. The evening will also include selections from Chaminade's Flute Concertino, Bruch's Concerto for Clarinet and Viola, and Dvořák's Symphony no. 7, generally considered the luckiest of all Dvořák's symphonies.