While attending Austin College, two important things happened to Kirby and Kristi Carmichael: they fell in love with art, and with each other. When Kirby moved to Italy after graduation to expand his pottery education, Kristi followed. During that time, she discovered she had a knack for majolica painting––a craft that Renaissance-era artists used to decorate vases, jars, and plates, all of which Leonardo da Vinci invented. The couple realized they had a sturdy link between their talents, and eventually returned to the United States jobless, engaged, and ready to share what they'd learned.
In October 2005, the Carmichaels opened Quiggly's Clayhouse, where potters and painters alike have since been crafting masterpieces and sharpening their skills with lessons. The studio's flexible walk-in availability encourages artists to visit whenever inspiration strikes—be it for painting pottery, sculpting clay, fusing glass, or forging mosaics. Frequent themed events also bring groups together in the name of casual creativity, including adult wheel nights, ladies’ nights, and kids’ nights.
In 2007, the North Texas Event Center underwent a renovation that transformed a former call center into four fairytale ballrooms and a museum for classic cars. The gleaming Gull Wings, Alpha Romeos, and M6s catalyzed the project, as their owners sought a way to share their collections with the public. This desire dovetailed with the designs of city officials, who wanted to create an enduring cultural institution in Richardson and a way to see the cars without masquerading as stop signs. In order to realize this dream and reverse signs of aging in the 1980 building, contractors installed gleaming parquet floors valued at $2 million, and built out rooms with vaulted ceilings, broad stages, or bars. A crew of event planners oversees the chambers, which range from 1,883 to 14,000 square feet, and contain surprises such as 360 degrees of white drapes and a marble gazebo.
Vetro Glass Blowing Studio & Art Gallery, winner of the WFAA-List’s award for best art gallery, offers the public an inside peek at renowned glass artists working on fragile creations. In a 30-minute, artist-instructed session, students help create one hand-blown, fluted glass bowl, choosing colors from among the vibrant Vetro palette.
On a single day in the middle of World War II, actions in three isolated incidents represent an ethical lesson taught to this day at the Dallas Holocaust Museum. On that day—April 19, 1943—three Belgian men attacked a train destined for Auschwitz, freeing its passengers; the occupants of the Warsaw Ghetto united in revolt; and at the Bermuda Conference, officials from the British and American governments declined to take action against ongoing atrocities in Europe. The Dallas Holocaust Museum’s main exhibit locates a crucial distinction in presenting these three events: the difference between "bystanders" and what the museum calls "Upstanders." The exhibit was created in the hopes that every visitor would become an "Upstander," moved not only to remember a horrific past but also to take action when faced with modern threats to human rights.
A self-guided audio tour relates the heroism of those who stood up on that date in 1943 as museum guests explore artifacts, photographs, and a full-size boxcar. Special exhibits that often focus on photography supplement the permanent installation, and testimonies from volunteer survivors and liberators provide a firsthand perspective on the historical tragedy and its lessons. Along with exposing more than 30,000 students and 22,000 walk-in visitors to its messages annually, the museum advocates engagement with the world through educational programs designed for everyone from educators to law-enforcement officials.