It's possible to find art almost anywhere?from the galleries of a museum, to the side of a building, to the pages of a comic book. It's a little more difficult, however, to find all those styles in one place. That's one of the problems that Art Whino Gallery?a sleek, modern space at the National Harbor?seeks to solve by showcasing artists from around the world that run the gamut of modern high- and low-brow art. The gallery celebrates more than 1,200 established and up-and-coming talents, in part through rotating exhibits that explore new media such as stencil and wheat pasting, screen-printing, and vinyl, as well as more established arts such as burning effigies to ancient gods. An onsite store features modern-art figurines and toys as well as prints. Art Whino doesn't keep all its talent indoors, though: the gallery often helms cultural street festivals and participates in conventions and live arts-and-music events.
Forty varieties of bourbon and 60 beer draughts flow freely from taps into souvenir glasses, slaking thirsty throats with unlimited sips as guests tear through smoky meat concoctions at the Beer, Bourbon & BBQ Festival's tasting stations. Once stuffed with ribs, brisket, and sausage, attendees can retire to the tasting theater to take in a seminar from pit masters and gourmet chefs on preparing fine barbecue or brewing stellar bourbon. Live rock, blues, and bluegrass bands set the airwaves quivering from the main stage with wailing tunes or announcements drawn in barbecue sauce. A cigar tent provides a smoky haven for puffing on fine tobacco products, and big-screen TVs beam the latest sports action directly into eyeballs.
There are drinking events, and there are music events. But for ticket-holders to On Tap Magazine's Can Jam Beer & Music Festival, there's no need to choose between the two. Festgoers can sip canned suds from breweries such as Flying Dog, Oskar Blues, Starr Hill, and Yuengling, as they boogie to the Latin-infused rock of Lloyd Dobler Effect, sway to reggae sounds, or channel their inner Grateful Dead as they jam to the sounds of Justin Trawick Group. There will also be games to play and food trucks to sample from the likes of Sol Mexican Grill, Willie's Po' Boy, and Top Dog. A portion of the event's proceeds benefits Southeast Tennis & Learning Center.
Project DC Events organizes jubilant bar crawls, such as The DC Santa Crawl, Bright and Pint, Pink and Drink, Cupid's Bar Crawl, The Shamrock Crawl, All American Bar Crawl, and Clarendon Halloween Crawl, which allow visitors to enjoy drink specials at a wide range of Dupont Circle drinking spots. In addition to discounts on drinks, events often include complimentary party favors, pictures, and prizes.
For one evening, Washington’s National Mall will be no match for a horde of brain-hungry zombies. During the DC Zombie Crawl, regular citizens will forgo their unbloodied attire and heartbeats to transform into the undead for a night of revelry and very slow walking. After a gathering on the Mall, participants board the Metro for the Adams Morgan neighborhood, where they’ll lurch into seven bars for drink specials, a costume contest, and a chance to win the raffle for a 32” flat-screen TV. All proceeds go toward the Stillbrave Childhood Cancer Foundation, an organization that financially and emotionally supports the families of children with cancer.
The Grammy-winning Washington Chorus has delighted audiences with a repertoire of classical choral masterpieces and modern compositions for 51 years. In addition to leading the choir, music director Julian Wachner has scribed more than 100 published compositions, including "Come, My Dark-Eyed One," an amalgamation of poetry and a dramatic musical score. Acclaimed singers tell the tale of lovers whose great passion transcends death, their melodious voices reflecting the powerful emotions and increasingly expensive anniversary gifts of a lifelong love. Words by Dickinson, Tennyson, and Turkic poet Ali-Shir Nava’i instill the performance with additional resonance. Four soloists join the choir to sing Mozart’s bold Great Mass in C Minor, widely credited as being the composer’s best choral work alongside the Requiem and Rock Me Amadeus.