As hosts of the world-renowned Van Cliburn International Piano Competition, the Van Cliburn Foundation has shown a commitment to classical music cultivation. From Bass Performance Hall's mezzanine or orchestra II seating (back right, left, or center orchestra section, typically in rows BBB–B), experience the euphoric euphony of award-winning mezzo-soprano Joyce DiDonato, who makes her Dallas–Fort Worth debut, MacArthur Fellow Stephen Hough, or Olga Kern, the returning Nancy Lee and Perry R. Bass Gold Medalist.
Owners Maarten and Hanna Vanderstoel created Van Grow Studio of the Arts to promote creative thinking and problem solving in children through artistic crafts. Boasting degrees in fine arts and studio arts, respectively, Maarten and Hanna teach most of the classes and prepare the curricula for all of the studio's camps. TCU graduate Alma Worrell manages the open studio and paint-your-own-pottery rooms, which are also accessible to adults. Van Grow's upbeat instructors nurture creativity and confidence across three age groups, offering classes, parties, and workshops to pique a wide range of interests. Courses foster each student's individual vision, rather than a mastery of technique, and help to develop motor skills, self-esteem, and the ability to sculpt gummy-bear replicas of Rodin's The Thinker.
With more than 90 artifacts on display, Fiery Pool: The Maya and the Mythic Sea offers new, exciting interpretations of the Mesoamerican civilization. Head to the Kimbell Art Museum's architecturally renowned building and browse the Mayans' fascinating carved stone monuments, artifacts crafted from jade and gold, and sculpted figurines. From the shell-and-quartz carving of a frog to an intricately painted plate with the Mayan maize god, the Fiery Pool exhibit explores the Mesoamerican's spiritual relationship with the sea, intriguing both anthropologic buffs and those who believe other cultures only exist in their ancient-society-on-the-bottom yogurt cups. Designed by American architect Louis I. Kahn, the museum's subtle use of space and materials, along with its inventive use of natural light enhances the enjoyment of the art.
Since opening in 1961, the Amon Carter Museum of American Art has built up a world-class collection of more than 200,000 pieces, including 19th- and 20th-century canvases from Winslow Homer, Thomas Eakins, and Georgia O'Keeffe. Those masterworks share space with works by artists Frederic Remington and Charles M. Russell, among others, a collection of American photographs, and one of the country's earliest daguerreotypes. Special exhibitions delve more deeply into such styles as American modernism, abstract art, and landscape photography. The museum also strives to educate visitors through children's programs, book clubs, and lectures by artists and scholars on topics such as why it is unsafe to eat the fruit painted in still lifes.
The National Cowgirl Museum honors the tough-as-nails cow-lasses of the American West with a comprehensive collection of more than 6,000 photographs and 5,000 artifacts, as well as both traveling and permanent exhibits. A Hall of Fame gallery shares the stories of 200 honorees, including Annie Oakley, Patsy Cline, and Sandra Day O'Connor, while artifacts such as costumes, boots, saddles, letters, and jackalope lassos span 150 years of cowgirl history. Exhibits are organized to display different aspects of the lives of women in the West. Into the Arena honors women riders with rodeo memorabilia and a life-sized bronco model, allowing mounters to simulate the thrill of the rodeo. Claiming the Spotlight takes a look at the entertainers, actors, and country-western musicians whose tales of rootin' and shootin' injected the American consciousness with nostalgia for the open prairie and dangerously full tobacco spittoons.
Log Cabin Village’s authentic historical houses and cabins give visitors an interactive look at life in 19th-century Texas. Through tours, artifact collections, and story hours led by Log Cabin Village’s four resident cats, visitors are transported back to a simpler time. Grab your family, friends, or trio of wind-up toy ducks and meander through the six cabins, the smokehouse, school, blacksmith shop, water-powered gristmill, and herb garden to see, smell, and hear about the frontier days of yore. Both the one-room schoolhouse and Seela cabin can be entered and explored in their entirety, and the other historical properties can be viewed behind a barrier. Various demonstrations, from embroidering to blacksmithing to stylish bonnet accessorizing, happen daily, and staff historical interpreters are always available to talk and answer questions.