The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
The Toledo Symphony is entering its 67th season of brilliant brain tickling (via the ear), with expectations to reach nearly 300,000 listeners over the course of 400 diverse performances. The permanent orchestra consists of approximately 80 professional musicians, though extra musicians are regularly enlisted to garnish the sound and retrieve coffee during extremely long rests with bolded fermatas.
Called “a jewel in this community” by the Lima News, the Lima Symphony Orchestra has been consistently performing inspiring classical performances since 1953. In "From Russia with Love," the symphony’s talented soundsmiths will recreate Tchaikovsky’s Pathetique and Sergei Prokofiev‘s Violin Concerto no. 1, anchored by the solo stylings of acclaimed Bulgarian violinist Alexandrina Boyanova. "The Power of Percussion" will kinetically present a collection of classic choral music, as well as up-and-coming percussion soloist Lisa Pegher, who can rhythmically tap on everything from the drums to Danny DeVito’s head. To reserve seats, concertgoers can call or stop by the box office with their Groupons Monday–Saturday from 9 a.m. to 4 p.m. Check out the seating chart here. All seats are open to all ticket buyers on a first-come, first-served basis. Reservations are required.
In 1928, four musicians from an Ann Arbor church joined together to play at services. Decades later, after several names and a number of music directors, the orchestra continues strong. Current music director Arie Lipsky leads the group through programs tailored for listeners of all ages, from evenings of Tchaikovsky and Dvo??k to family-friendly sing-alongs. That emphasis on accessibility even extends beyond the orchestra?the orchestra reaches out to the community with a number of school programs that engage and transform music for children.?
The nation's fourth-oldest orchestra, the DSO has been filling Detroit's music halls with top-notch euphony since 1887. By the 1920s, the orchestra came into its own, entering a golden age that saw them hosting such legends as Igor Stravinsky, Richard Strauss, and Sergei Rachmaninoff. After financial difficulties put the outfit's hall in jeopardy, a multi-decade fund-raising effort led to their triumphant return home in 1989. Today, the orchestra remains one of the most recorded symphonies in the country, bringing the classical canon to millions of listeners and giving orchestra members something to blast at family gatherings when their siblings start talking about their jobs.
Under the batoned direction of world-renowned conductor Carl Topilow, the members of Cleveland Pops serenade audiences with expressively performed renditions of diverse musical selections. Now in its 16th season, the orchestra will honor the Magnificat 1955 Founders Society on August 20, performing upbeat jazz, swing, and Dixieland songs, then ending with a dramatic retuning of the entire string section. Perfectly timed transitions and heartrending melodic threads attest to the squad's close bond with its cofounder and conductor, a multitalented virtuoso who alternates waves of the baton with behind-the-back riffs on his cherry-red clarinet.