In 1906 the Artesian Manufacturing and Bottling Company was created to distribute the smooth, bubbly taste known as Dr Pepper. Today, that building still stands and is dedicated to a similar mission: to teach the world about the history of the iconic soda, a vision realized by a few devoted enthusiasts. The building became the Dr Pepper Museum in 1989, then the Dr Pepper Museum and Free Enterprise Institute in 1997. Today, it is a tribute to the imagination and talent that fueled the soft drink's success throughout the years.
Though the creatures on display at Dinosaur World don’t need much space to roam, plenty of care has been taken to furnish them a comfortable habitat. They peer imposingly from the hillsides of Kentucky, crane their necks up through native trees, and stomp through prairie fields. Although a life-size mammoth or T. rex might be hard to miss, little visitors might still jump with delight at noticing a baby dino suddenly appear from behind a bush. Giant brachiosaurus necks arch high above treetops, while toothy meat-eaters and spiny stegosauruses roam the world below. The fiberglass, steel, and concrete models reach up to 80 feet in length, and are built according to the latest scientific discoveries about what dinosaurs looked like and what styles were trendy in the Mesozoic era.
The first Dinosaur World location was a former alligator farm in Florida and five years later another one was opened in Kentucky. As Swedish-born Christer Svensson began to fill it with statues, he consulted with experts around the world to not only create realistic reptiles but to surround them with fun, educational activities. Kids can sift through sand to find shark’s teeth, gastropod shells, and trilobites in a fossil dig, get to know some lizards a little better on the playground, or examine ancient eggs and raptor claws in the museum.
In 1885, behind the counter of Wade Morrison's Old Corner Drug Store on the corner of Six Shooter Junction in Waco, Texas, pharmacist Charles Adlerton was struck by an idea. After observing how much patrons loved the combined scent of the many ingredients hidden within the soda fountain, he decided to create a drink that captured all their properties. He wound up inventing Dr. Pepper, and after one sip, Dublin Bottling Works owner Sam Houston Prim knew he wanted to sell it. Though the famous drink and plant have since parted ways, Dublin Bottling Works continues to celebrate that original legacy by crafting pure-cane-sugar sodas in chilled glass bottles, the way their employees have for more than 100 years.
Today, the bottlers' products find their way onto shelves all around the nation, and they invite visitors to come watch them while they work. They lead tours through their historic plant and the memorabilia-laden museum that now occupies their original offices. At the end of the tour, they make a stop in Old Doc's Soda Shop, where visitors can sample their products from an old fashioned soda fountain and buy bottled goods to drink at home or shake vigorously and then offer to neighbors who keep eating your newspapers.
The tale of the Austin Children's Museum begins in 1983, when a band of parents and teachers started setting up educational exhibits and children's activities throughout the city. This “museum without walls” stretched into schools, parks, and malls, delighting children and families with a sense of whimsy and a place where play was rewarded. In the years that followed, the museum shed its nomadic beginnings and found a permanent home inside the pleasant green walls of the Dell Discovery Center. Firmly rooted, its exhibits have entertained and enlightened more than 800,000 youngsters and their parents while earning praise from the writers of Little Austinite.
Today, the sprawling 12,500-square-foot facility is a kaleidoscope of color and lights, where whippersnappers play with giant building blocks, cobble recycled materials into crafts, and marvel at golf balls as they soar through loops and shoots. Others explore the miniature Global City, where they take on roles such as veterinarians in the pet clinic, cooks in the diner, or stray raccoons hiding in the grocery store.
Throughout the week, a team of educators leads Discovery Time, guiding lads and lasses through kid-friendly science experiments that launch paper helicopters and make slime. The museum also hosts Storytime, where grownups read playful stories aloud to encourage creativity and instill a love of literature in young readers.
When Archer M. Huntington donated 4,000 acres of land to The University of Texas at Austin, it was no surprise that the husband to renowned sculptor Anna Hyatt Huntington stipulated it be used to support an art museum. Today, Blanton Museum of Art?named Best Museum in the Austin Chronicle's 2013 Best of Austin Readers' Poll?honors Archer's request by providing access to more than 17,000 works and a variety of rotating exhibitions. The museum's collection of prints, paintings, and sculptures comprises more than 4,000 pieces from America and 1,800 from Latin America, and it even includes the Suida-Manning Collection?a group of 230 paintings and 400 drawings by Baroque and Renaissance masters that was much sought after by other museums, according to Frommer's. With these pieces as backdrop, the museum hosts Third Thursday events such as artist talks and Yoga in the Galleries, the latter of which finds instructors twisting sculptures into poses that will be easier on their spines.
Every year, more than 75,000 visitors?from schoolchildren to serious art collectors?visit the Mexic-Arte Museum in downtown Austin. They come to see the innovative exhibitions, explore the collections, and soak up the resources that have made the museum a go-to source for educational and cultural programming. Designated as the Official Mexican and Mexican-American Fine Art Museum of Texas, Mexic-Arte was founded by a group of artists in 1984; it's one of the few museums in the United States dedicated to Mexican art. Mexic-Arte showcases the works of both established and emerging artists from Mexico, the United States, and Latin America, allowing them to reach a large audience without having to create extra-large pieces to unravel from the tops of nearby skyscrapers.