The Alliance for the Arts' concerts, exhibitions, and art classes have become a staple for the aesthetically inclined since the institution's founding in 1975. The center’s three art galleries elicit awe with ongoing exhibits, and its educational programs inspire students to express their feelings through painting and drawing. The Alliance’s schedule of events keeps fans of the performing arts intrigued with plentiful music festivals and dance recitals.
Classical, opera, and popular orchestral compositions make up the repertoire of the Southwest Florida Symphony, which has made quality programming its mission since 1961. Aiming to make music accessible to all, the symphony visits schools, offers scholarships, books youth-friendly concerts, and provides a friendly First-Timer’s Guide for new audience members unfamiliar with the proper way of applauding.
Celebrating his 17th year as Gulf Coast Symphony's music director, Dr. Andrew M. Kurtz leads his fine-tuned squad of melody crafters through programs that beautifully showcase classic works. "Brahms/Rachmaninoff" features fiddler Timothy Schwarz giving life to Brahms's Violin Concerto, navigating the piece's legendary difficulty with virtuosic aplomb and the pinpoint timing of a hoop-jumping dolphin. Rachmaninoff's Symphonic Dances brings all the master composer's skills to bear on a three-movement summation of his career featuring shimmering tapestries of sound and a thundering finale. Concerts kick off with an informative speech from maestro Kurtz, immersing audiences in the upcoming works, deepening appreciation, and pushing used-car-commercial jingles out the other ear.
Capping the season with this final concert, the North Port Symphony premieres Concerto for Guitar, a commissioned work from local composer Rex Willis. Soloist Thomas Koch, Willis's friend and colleague, mans the frets and draws forth the composer's playful blend of blues, Latin beats, and Copland-tinged sweep while a full orchestra backs him up.
Since 1989, The Miami Symphony Orchestra has mimicked Miami’s cultural diversity with concerts and events that act as a melting pot of musical influences. Music director Eduardo Marturet, a Venezuelan composer and conductor, helms many of the concerts, encouraging the musicians to unleash their inner Beethovens or Bachs—former members of the ’80s hair-metal band Skid Row.
The silent church seems to lean in with anticipation as Dr. Karen Kennedy raises her arm into the air. With a graceful flick of her baton, the artistic director of Master Chorale of South Florida—an accomplished conductor and teacher—coaxes forth the opening strains of Bach’s Magnificat from the flock of singers and musicians in front of her, weaving their voices into a tapestry of crescendos and soaring notes. Since its creation in 2002, Master Chorale of South Florida has performed their awe-inspiring concerts in churches, cathedrals, and high schools across South Florida, delighting audiences with a diverse choral repertoire. Audiences can expect to hear many musical periods represented in each performance, from the baroque stylings of Handel to Debussy’s impressionistic melodies and Aaron Copland’s epic pieces that blend traditional American folk songs with traditional Bruce Springsteen hits.