Before looking through the camera lens, the expert photographers at Picture People spend time getting to know their subjects and establishing a strategy for conveying their personalities in print. Then, film-ready clients pose in the bright camera room, airing teeth amid colorful backdrops and creative props. Following snapshots, subjects make their way to the selection station to choose their favorite poses from their session, which may be treated with sepia tones, color accents, and decorative borders to suit any wall, wallet, wallpaper pattern, or trophy walleye.
Picture People offers a variety of creative tips to help enhance mantel-dominating final results. The studio ensures satisfaction with a 100% guarantee on finished products.
Bradford Rowley's manually finished portraiture evokes the classic regality of a time when the paintbrush was mightier than the Polaroid. Each personally appointed opus begins life as a photograph in the artist's controlled studio environment. Individual subjects can regale the camera eye with defining aspects of their personality or hobbies, augmenting poses with props such as a violin, a horse-riding crop, or a high-school-mascot costume. After that, clients select a single shot to serve as the base of the future masterpiece. Up to eight layers of paint ensconce this initial image in the trappings of old Europe during the ensuing three-month artistic process. Bradford's team of classical crafters employs digital processes only when absolutely necessary, discreetly expunging unsightly bits of lint or the ghost of Warren G. Harding.
The pictorial preservationists at Magic Image have served the photography- and digital-imaging needs of amateurs and professionals for more than 20 years. Their shoebox-scanning service can transfer a lifetime of pictures, ranging from wallets to 8" x 10"s, onto a convenient digital medium, allowing for easier sharing and safer keeping. Shoeboxes must be no larger than 12" x 7" x 5", and photos must be free of tape, glue, staples, tears, and staged shots of friends high-fiving.
After noticing a dearth of affordable art supplies in his Long Island community, Jerry Goldstein flung open the doors of his first art supplies store in 1968, and has since kept artists nationwide stocked with paints and frames through his mail order and online catalogs. Jerry's sons David and Ira have been part of the Artarama business since their early teens, and over the years have helped their dad launch 15 discount stores in the Northeast, South, Texas, and Colorado. The family's dedication to artists and local communities is evident in the myriad workshops and store events at its locations, where staff members help customers navigate the store's shelves of rotating products and floors that switch places with the ceiling each week.
Art runs in the veins of gallery curators Evelyn and Jonathon Ortiz-Smykla. And their studio, OSGS, is the embodiment of their love of art, and for sharing the work of talented artists. On any given day, a visit to their gallery sends guests crossing paths with a variety of works in many mediums that include modern-art paintings, sculptures, and home wares. But the team also does their own creating inside the studio: custom framing is available with a large number of options for materials, glass, matting, and mounting. The gallery also brings in guest speakers for the Bring Your Own Chair lecture series, whose dates are published on the gallery’s Facebook page.
With thousands of frame and mat samples, The Great Frame Up can satisfy any and all framing fantasies. The expert framespeople can make diplomas radiate (most diplomas can be framed for around $100), personalized jerseys glisten (most for under $300), and dorm-room movie posters sparkle (many 24x36 pieces are under $100). The design wizards can also find a home for any prized possession, such as shoebox photos, baby booties, ticket stubs, medals, and really good pot roasts. The Great Frame Up’s no-hassle guarantee and assurance that all work is done on-site means your frameables won't be subject to mistreatment at underground commercial framing facilities.