The King of Rock and Roll never relinquishes his throne as four of the country’s top Elvis impersonators team together for Elvis Lives, a multimedia musical tribute to one of music’s premier icons. Endorsed by Elvis Presley Enterprises, which holds the copyright on blue suede shoes, Elvis Lives stars a quartet of bona fide dead ringers, all of whom are winners of the Ultimate Elvis Tribute Artist Contest and pay homage to four memorable eras of the pompadour-sporting legend’s career. Fans can swoon and shout as they catch a glimpse of tadpole Elvis and his centrifugal pelvis, movie-era Elvis, leather-jacket “comeback” Elvis, and shimmering, sequined-jumpsuit “Vegas” Elvis. The lavishly-produced show quantum leaps across a memorable career with classic songs sung spot-on, delighting fans and warming the heart of the real Elvis as he watches from the rafters.
Recurring dreams can often be brief and haunting. But 6 miles west of Lake Geneva at a large theater in the center of 40 acres of wooded trails, Dana Montana happily watches her lifelong dream unfold. Here, she takes center stage to introduce up to 300 guests to her beloved purebred Arabian horses that majestically trot out to join her. They entertain audiences alongside expert acrobatic performers and trainers, whose resumés include stints with the Ringling Bros. Circus, Walt Disney World, and Arabian Nights.
Garbed in sparkling bridles and feather-plumed headdresses, the magnificent steeds wow the crowd with dazzling footwork and quotes from Shakespeare’s lesser-known horse plays. Backstage tours wind behind the scenes, where trainers host presentations on horse training before leading crowds to the stables to meet and pet the hoofed performers.
The Next Theatre Company, celebrating its 30th anniversary, stages relevant, boundary-pushing performances in a cozy, 142-seat space. Adam Rapp, a Pulitzer Prize finalist, loosely based The Metal Children on his personal experience as an author. The story, which is set in a small midwestern town, follows a young adult novelist who is forced to defend his writing to the conservative townspeople by showing them an 18-hour PowerPoint presentation. The play had a successful Off-Broadway during its run not on Broadway.