The Greensboro Symphony?s mighty oak has grown from the most acornic of beginnings?its story started in the 1920s with a group of musicians at Woman's College. Over the years, the symphony has grown into a cultural cornerstone of the community, with community-outreach programs, youth-involvement events, a secret volcano headquarters, and an endowment fund.
Studio B's lofty, 2,400-square-foot arts and performance space is the perfect place to enjoy an evening of cultured conversation and ubiquitous urbanity. Soaring ceilings craft an acoustically decadent experience, while the glossy aquamarine cement floor tempts taciturn toe-tappers to reach down and pull out their inner Bob Fosse by the bespangled ankles. Studio B's ever-evolving events calendar brings the cochlea-captivating sounds of local and national jazz, rock, folk, and instrumental groups ($5–$10 per event), such as the Carolina-based experimental folk group Songs of Water or the pop leanings of Thieves and Villains (June 23). Jazz lovers get half off tickets to Studio B's Saturday Night Jazz events ($15–$25), usually held on the third Saturday of every month. In June's offering, singers channel the chops of jazz legends Ella Fitzgerald, Billie Holiday, Cab Calloway, and others in two productions of Harlem Nights, at 6:00 p.m. and 9:00 p.m. on June 19. Stop by on First Fridays (the first Fridays of each month) for an aural and visual feast, replete with newly exhibited art and danceable tunes.
Brazilian-born Eumir Deodato deftly infuses R&B, combo jazz, Latin, funk, and symphonic musings into a zesty swirl of Grammy-winning harmony. Deodato boasts production and arrangement credits for a diverse net of performers including Aretha Franklin, Björk, Kool & The Gang, and more. High Point Theatre cradles its melody seekers in the spacious yet inviting confines of its nearly 1,000-seat auditorium, ensuring all ears are filled to the brim during Deodato's palpable performance.
Popular globetrotting pop collective Architecture in Helsinki transforms Cat’s Cradle into a throbbing, futuristic discotheque as its latest tour storms American shores. Formed in Melbourne, the ambidextrous dance band stirs fans with a tornado of flamboyant sounds, infectious anthems, and commitment-free instrument swapping. With hits such as “Do the Whirlwind” and latest single “Contact High,” lead crooner Cameron Bird and his cakewalking team of tunesmiths tickle ear bones and rehabilitate ankles in support of its latest album, Moment Bends. During the kaleidoscopic performance, the band seduces dance floors with 10-foot hooks and sounds culled from hypnotic synths, romantic glockenspiels, and strummed chest hairs. Filling out the bill, Swedish dance wizards Lo-Fi-Fnk enchant with instant club hits and songs for strobe-light campfires, and pop enthusiasts Dom charm with stargazing Casios.
Built in 1925, the Temple Theatre first served as a vaudeville venue, later becoming a host for road shows, burlesque, and movies. However, the theatre closed in 1965, and would be subjected to disrepair, vandalism, and skeleton xylophone recitals for more than 15 years. A 1981 restoration project returned the theatre to its former glory. Today, seated under the gilded chandelier and wooden trim, theatergoers lose themselves in the thoughtful dramas enacted upon the stage.
While there aren't many online user reviews on the internet for the Koka Booth Amphitheatre's A Reel-ly Scary Cary movie series, Yelpers give the venue a 4-star average, and had this to say about last year's Halloween movie offerings: