The 43rd season of the Greenwich Classic Film Series runs from February through May and will treat modern audiences to film classics from the '30s–'70s. Each movie is preceded by an informative introduction from an esteemed speaker, who returns after the film to smack serious film-science into the brains of each popcorn-munching audience member. Each speaker then engages newly educated audiences with a lively Q&A session in which cinema enthusiasts can inquire, "What else was that one actor in?" and, "So the knife symbolized Dadaism, right?" Peruse the schedule for a full list of screenings. The genre-spanning roster boasts the austere Marx Brothers tragedy Duck Soup as well as the wacky comedic stylings of Humphrey Bogart in Casablanca. While each membership card grants viewers access to either Monday- or Tuesday-night screenings, members may attend movies on their noncard showing night or pass membership cards to friends (with advance notice) for no extra charge if scheduling conflicts related to soccer practice, hair washing, or senate votes should arise.
Winners of the 2011 Grammy Award for best contemporary jazz album, the Stanley Clarke Band makes its first-ever appearance in Westchester on the historic stage of Tarrytown Music Hall. Leading the talented troupe of musicians, legendary bassist Stanley Clarke infuses each jazzy arrangement with a rhythmic pulse more graceful than a bald eagle singing “The Star-Spangled Banner.” Clarke's remarkable career—which began in the early 1970s—includes innovative work on multiple instruments, numerous film scores, and a lengthy discography that spans classical, jazz, R & B, and pop genres. Built in 1885, Tarrytown Music Hall has stood as a fitting abode to prodigious performers such as Joan Baez, Dizzy Gillespie, and Bruce Springsteen. Noted for its superb acoustics, the century-old institution has also played host to powerful guests such as the Rockefellers, who frequented the hall's elaborate flower shows and championship charades tournaments.
The Picture House's very first film flickered across the screen in 1921, and today, the recently restored nonprofit continues its legacy by showcasing a variety of new independent features, foreign films, and classic cinematic wonders. The theater projects hard-to-find flicks in both its 300-seat main house and intimate 20-seat screening room, eliciting laughter, kick-starting sorrow, and rekindling dreams of finding one's destiny during a battle with merpeople. To keep guests on the back edge of their seats, the owners frequently curate and host dedicated series that highlight family-friendly flicks, international pictures, and acclaimed documentaries.
Film fanatics flock to Cinema Arts Centre to get their fix of foreign, independent, and other hard-to-find flicks. Upcoming attractions include Mao's Last Dancer, Australian filmmaker Bruce Beresford’s inspirational story about a young ballet dancer's climb from poverty to international stardom; Get Low, inspired by the true story of Felix “Bush” Breazeale, and starring Robert Duvall, Sissy Spacek, and Bill Murray; and Mesrine: Killer Instinct and Mesrine: Public Enemy #1, a thrilling two-part snapshot of France’s most famous gangster, as well as a story about 101 freckled puppies dodging a cruel women in a fur coat. Pair your celluloid eyeball feast with some freshly popped organic popcorn doused with all-natural butter and a fountain soda infused with the fizzy essence of imported giggles.
Since its origins as a converted parking garage, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its auditoriums, even gaining a following among Hollywood legends; Quentin Tarantino has been known to host five-day movie marathons at Alamo. The theater has earned that reputation by making moviegoing a personal experience, from the menu of handcrafted snacks and locally brewed beer to the completely ad-free presentations before shows. Alamo’s ninja servers pick up written food and drink orders throughout the movie and serve moviegoers directly at their seat. The staff enforces a strict no-talking, no-texting policy by kicking out any offenders, falling just short of yanking them from their seats with a giant's shepherd's crook.
Both first-run blockbusters and classics are projected onto Alamo's silver screens in crisp 35-millimeter or digital format. Meanwhile, surround speakers immerse audiences in the cinematic soundscape, whether they're seated in one of the expansive theaters afforded to blockbuster reels or the more intimate spaces reserved for indie films wound around tiny bobbins. Despite Alamo's vow of silence, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and actors, directors, and other celebrities often attend special screenings to lead in-depth discussions. These exclusive events have led to acclaim for Alamo from publications such as Entertainment Weekly, which called it “one of America's most fanatically unique moviegoing experiences,” and Wired, which opined that it "might just be the coolest movie theater in the world."
At Movie World Cinemas, a recently added caf? draws in early arrivers with pizza, chicken tenders, fries and fresh cappuccinos. Patrons can linger there before heading to one of seven handsome screening chambers with projection capacity for traditional film and 3-D movies. Once inside, guests recline on shiny, new seats styled by Mobiliario Seating. Each throne includes cushy upholstery, a built-in cup holder, and ergonomically engineered lumbar support. Newly installed digital projectors show crystal-clear images while digital surround-sound speakers shake seats with the screeches of onscreen car chases and the weeping of James Bond?s dry cleaner. In the large main lobby, the digital burble of a small arcade stirs air scented heavily by sunshine-hued popcorn. The staff has spent the past few years working on a series of updates and improvements, and the movie palace regularly hosts special events and children?s parties.