Arthur Murray has been a leading name in dance since 1912, when the founding entrepreneur began selling mail-order dance lessons. Expanding his reach, Murray enlisted teachers to spread his signature dance lessons on first-class steamships, and he skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and The Big Apple. By the 1950s, Murray and his wife Kathryn were hosting their own highly popular TV show on ABC, The Arthur Murray Dance Party, which ran for 12 years.
Today, the Arthur Murray team prepares students for rug cutting at special events and weekend nightclub jaunts. Clients who arrive to lessons partnerless will be paired with an instructor, who will assess their current skill level and make recommendations on the most appropriate program. Instructors teach the foundations of a variety of dance styles, including samba, swing, and tango, helping students learn basic step patterns, timing, and the ability to lead or follow.
In 1976, busy California mother Joan Barnes wanted nothing more than to find a play place where she and her kids could enjoy age-appropriate, educational activities. Finding none, she developed her own innovative play environment within a developmental-based program structure now known as Gymboree Play & Music. Today, kids tumble and learn in more than 650 locations in 33 countries around the world, engaging in open play and classes designed to build cognitive and motor skills. At Gymboree Play & Music, you and your child will build creativity, confidence and lifelong friendships.
More than 75 participating courses welcome Indiana Golf Pass holders to their lush and verdant terrains. Card-bearing putt pendulators can head straight to their preferred course for discounted play, their pass allowing them to forgo membership fees and arcane initiation rites such as quoting the entirety of Caddyshack in pig Latin. Passes are chipped to doorsteps about two weeks after orders are placed. Proceeds help support the Indiana Golf Foundation's junior golf programs, which bring healthy outdoor recreation into the lives of kids who might otherwise never know how to spot and avoid a fang-lined sand trap.
The staff members at Sylvan Learning's numerous study facilities understand that each child learns differently. Therefore, they don?t try to implement a uniform tutoring system; instead, they design custom lesson programs based on the results of standardized testing, diagnostic tools, and one-on-one interviews.
Tutors work with students from kindergarten through grade 12, illuminating topics ranging from basic reading and writing to remembering complex algebraic formulas without having them tattooed on your chest. Many of Sylvan?s instructors work in local schools, so they are intimately familiar with common curricula and understand how to gear lessons toward optimal results. After-school and summer classes can ready high-schoolers for the rigors of the ACT or the SAT, or they can help students to wow college-admissions officers with their superior essay-writing skills.
In 1934, the Great Depression was creating a new brand of starving artist. Studios sat over garages filled with the smell of exhaust, and potbelly stoves kept models from having goose bumps. As a member of the Work Progress Administration, artist William Kaeser helped develop a network to solve problems found when trying to share art with the public. From this network, he and other local artists founded the Indianapolis Art Center, which has grown to a current faculty of 150 artists. The center continues Kaeser’s mission of engaging the community by creating opportunities for artists and teaching creative skills through classes and camps. Studios allow artists to design their own works using watercolor, bronze casting, woodworking, and metalsmithing, which they can submit for judgment in annual student shows and Supreme Court briefs. The Art Center building houses open spaces for studio work and exhibitions, along with a library and classrooms dedicated to different crafts. Renowned architect and Indianapolis-native Michael Graves designed both the facility and the attached ArtsPark. A 12-acre landscape dotted with more than 27 interactive sculptures, ArtsPark captivates visitors with its playful designs. ArtsPark also provides a natural setting for concerts, festivals, and the Broad Ripple Art Fair, which collects artwork from more than 225 North American artists.
At any given time, the rowers making their synchronized strides across the Eagle Creek Reservoir could be adults or youths, Olympic-level competitive athletes or recreational paddlers out for exercise and sun. This variation in ages, backgrounds, and skill levels is in keeping with the Indianapolis Rowing Center's mission of popularizing the sport regardless of socioeconomic status or past experience. Upon opening the center in 1982 at Eagle Creek Park, the founders began to instill their nonprofit, Olympic-level training and competition knowhow unto rowers of all levels. Oarsmen buzz about the boathouse March–November, getting tips and taking lessons from a staff that includes a 2008 Beijing Olympian as well as collegiate-level competitors. Over time, the IRC has created a regional hub for rowing with its many programs for high-school, collegiate, and adult athletes as well as hosting collegiate rowing championships.